George Frideric Haendel

(1685 - 1759)

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CATALOGUE OF G. F. HANDEL’s WORKS

WERKVERZEICHNIS VON G. F. HAENDEL

I n d e x:

 
1 Operas HWV 1-45

2 Oratorios HWV 46-76

3 Vocal Chamber Music:
3.a Cantatas HWV 77-177
3.b Vocal Duets HWV 178-199
3.c Vocal Trios HWV 200-201
3.d Arias and Songs HWV 202-228

4. Church Music:
4.a Sacred Concert Pieces HWV 229-245
4.b Anthems HWV 246-277
4.c Te Deum, Jubilate HWV 278-283
4.c Hymns HWV 284-286

5 Orchestral Works:
5.a Concerti for solo instruments HWV 287-311
5.b Concerti Grossi and Orchestral Concerti HWV 312-335
5.c Overtures, Symphonies, Suites and Dances HWV 336-356

6 Chamber Music:
6.a Solo Sonatas HWV 357-379
6.b Trio Sonatas HWV 380-405
6.c Various Settings HWV 406-425

7 Keyboard Music:
7.a Suites and Overtures HWV 426-456
7.b Single Movement Works HWV 457-612

8 Appendices:
8.a Pastiches and Opera Fragments A1-A15
8.b Works in Craig Bell's Catalogue but not in the Händel-Handbuch CB2-CB175
8.c Works in Craig Bell attributed to Handel but of doubtful authenticity CB?1-CB?29
8.d Additional works mentioned in the New Grove Dictionary of Music and Musicians CB2-CB175
_________________________________________________________________________________
 
 
1. Operas

2. Oratorios

HWV 46a
Il Trionfo del Tempo e del Disinganno, oratorio, {HG 24, HHA I/4, CB 32, Rome, March/May, 1707}
HWV 46b
Il trionfo del Tempo e della Verità, oratorio {HG 20, 24, HHA I/4, CB 112}
HWV 47
Oratorio per la Resurrezione di Nostro Signor Gesù, {HG 39, HHA I/3, A169-171, CB 31, Rome, March/April 1708}
HWV 48
Der für die Sünde der Welt gemarterte und sterbende Jesus [Brockes Passion], {HG 15, HHA I/7, CB 52}
HWV 49a
Acis and Galatea, Masque, {HG 3, HHA I/9, A28-30, CB 57}
HWV 49b
Acis and Galatea, Serenata, {HG 53, HHA I/5, A28-30, CB 92}
HWV 50a
Esther (Haman and Mordecai), A Masque {HG 40, 41, HHA I/8, CB 61}
HWV 50b
Esther, oratorio {HG 41, HHA I/10, A135-139, CB 91}
HWV 51
Deborah, oratorio {HG 29, HHA I/11, A140-146, CB 94}
HWV 52
Athalia, oratorio {HG 5, HHA I/12 CB 95, A1-4}
HWV 53
Saul, oratorio {HG 13, HHA I/13, A111-116, CB 116}
HWV 54
Israel in Egypt, oratorio {HG 16, HHA I/14, A92-98, CB 117}
HWV 55
L'Allegro, il Penseroso ed il Moderato {HG 6, HHA I/16, A150-153, CB 124}
HWV 56
Messiah, oratorio {HG 45, HHA I/17, CB 130, A9-13}
HWV 57
Samson, oratorio {HG 10, HHA I/18, A49-54, CB 131}
HWV 58
Semele, after the manner of an oratorio {HG 7 HHA I/19, A24-28, CB 132}
HWV 59
Joseph and his Bretheren, oratorio {HG 42, HHA I/20, A106-111, CB 135}
HWV 60
Hercules, a musical drama {HG 4, HHA I/22, A34-39, CB 136}
HWV 61
Belshazzar, oratorio {HG 19, HHA I/21, A68-72, CB 137}
HWV 62
Occasional Oratorio {HG 43, HHA I/23, A99-105, CB 138}
HWV 63
Judas Maccabaeus, oratorio {HG 22, HHA I/24, A39-43, CB 139}
HWV 64
Joshua, oratorio {HG 17, HHA I/26, A56-60, CB 141}
HWV 65
Alexander Balus, oratorio {HG 33, HHA I/25, A160-164, CB 140}
HWV 66
Susanna, oratorio {HG 1, HHA I/28, A131-135, CB 143}
HWV 67
Solomon, oratorio {HG 26, HHA I/27, A85-92, CB 142}
HWV 68
Theodora, oratorio {HG 8, HHA I/29, CB 147, A5-8}
HWV 69
The Choice of Hercules, musical interlude {HG 18 HHA I/31, A55-56, CB 149}
HWV 70
Jephtha, oratorio {HG 44, HHA I/32, A116-121, CB 152}
HWV 71
The Triumph of Time and Truth {HG 20, HHA I/33, A165-169, CB 153}
HWV 72
Aci, Galatea e Polifemo, Serenata àtre, {HG 53, HHA I/5, CB 33, Naples, finished 16th June, 1708}
HWV 73
Il Parnasso in Festa {HG 54, HHA II/30, CB 98}
HWV 74
Eternal source of light divine, Serenata (Ode) for the Birthday of Queen Anne, {HG 46a, HHA I/6, A54, CB 42, London, beginning of
1713}
HWV 75
Alexander's Feast or The Power of Musick, Ode in Honour of St. Cecilia {HG 12, HHA I/1, A65-67, CB 104} (see also concerto grosso
HWV 318)
HWV 76
From Harmony, from Heav'nly Harmony, Ode for St. Cecilia's Day {HG 23, HHA I/15, A105-106, CB 122}

3. Vocal Chamber Music
 
3.a Cantatas
 
HWV 77
Ah! che pur troppo e vero (Sop. and Basso continuo), {HG 50, HHA V/1, CB 25/1, Florence, c. 1707}
HWV 78
Ah! crudel, nel pianto mio (Sop. and Orch.), {HG 52a, HHA V/3, CB 24/1, Rome, August 1708}
HWV 79
Diana Cacciatrice: Alla caccia (Sop., Sop. Chorus and Orch.), {HHA V/3, CB 26, Rome, May 1707}
HWV 80
Allor ch'io dissi addio (Sop. and Basso continuo), {HG 50, HHA V/1, CB 25/2, Rome, 1707-9}
HWV 81
Alpestre monte (Sop. and Orch .), {HG 52a, HHA V/3, CB 24/2, conjectured Florence, 1707}
HWV 82
Il duello amoroso/ Daliso ed Amarilli: Amarilli vezzosa (Sop., Alto and Orch.), {HHA V/3}
HWV 83
Arresta il passo (Aminta e Fillide) (2 Sops. and Orch.), {HG 52a and 52b, HHA V/3, CB 24/3 and 24/20, Rome, early 1708}
HWV 84
Aure soavi, e liete (Sop. and Basso continuo), {HG 50, HHA V/1, CB 25/3, Rome, May 1707}
HWV 85
Venus and Adonis: Behold where Venus weeping stands (Sop. and Strings) {CB 38}
HWV 86
Bella ma ritrosetta (Sop. and Basso continuo) {HHA V/1}
HWV 87
Carco sempre di gloria (Alto and Orch.) {HG 52a, HHA V/3, CB 110/2.}
HWV 88
Care selve, aure grate (Sop. and Basso continuo), {HG 50, HHA V/1, CB 25/4, Rome 1707-8}
HWV 89
Cecilia, volgi un sguardo (Sop., Ten. and Orch.) {HG 52a, HHA V/3, CB 110/1}
HWV 90
Chi rapi la pace al core (Sop. and Basso continuo), {HG 50, HHA V/1, CB 25/5, Florence, c. 1706-7}
HWV 91a
Clori, degli occhi miei (Alto and Basso continuo), {HG 50, HHA V/1, CB 25/6, Florence, end of 1707}
HWV 91b
Clori, degli occhi miei (Sop. and Basso continuo), {HG 50, HHA V/1}
HWV 92
Clori, mia bella Clori (Sop. and Orch.), {HG 52a, HHA V/3, CB 24/4, Rome, 1707-1708}
HWV 93
Clori, Clori, ove sei (Sop. and Basso continuo), {HG 50, HHA V/1, CB 25/7, Italy, 1707-8}
HWV 94
Clori, si ch'io t'adoro (Sop. and Basso continuo) (authenticity uncertain), {HHA V/1}
HWV 95
Clori, vezzosa Clori (Sop. and Basso continuo), {HHA V/1}
HWV 96
Clori, Tirsi e Fileno: Cor fidele in vano speri (2 Sops., Alto and Orch.), {HG 52b, HHA V/4, CB 24/19, Rome, July/Sept. 1707}
HWV 97
Crudel tiranno Amor (Sop. and Orch.), {HG 52a, HHA V/3, CB 24/5, London, June 1721}
HWV 98
Cuopre tal volta cielo (Bass and Orch.), {HG 52a, HHA V/3, CB 24/6, Italy, 1708}
HWV 99
Delirio Amoroso: Da quel giorno fatale (Sop. and Orch.), {HG 52a, HHA V/3, CB 24/7, Rome, beginning of 1707}
HWV 100
Da sete ardente afflitto (Sop. and Basso continuo), {HG l, 39, CB 25/9, Italy, 1708-9}
HWV 101a
Dal fatale momento (Sop. and Basso continuo), {HHA V/1, CB ?19/3?}
HWV 101b
Dal fatale momento (Bass and Basso continuo), {HHA V/1, CB ?19/3?}
HWV 102a
Dalla guerra amorosa (Bass and Basso continuo), {HG 50, HHA V/1, CB 25/8, Italy, 1708-9}
HWV 102b
Dalla guerra amorosa (Sop. and Basso continuo), {HHA V/1}
HWV 103
Deh! lasciate e vita (Alto and Basso continuo), {HG 50, HHA V/1, CB 25/10, London, after 1720}
HWV 104
Del bell' idolo mio (Sop. and Basso continuo), {HG 50, HHA V/1, CB 25/11, Rome, 1708-9}
HWV 105
Armida abbandonata: Dietro l'orme fuggaci (Sop. and Orch.),, {HG 52a, HHA V/3, CB 24/8, Rome, June 1707}
HWV 106
Dimmi, o mio cor (Sop. and Basso continuo) (see also HWV 132a), {HG 50, HHA V/1, CB 25/12, Italy, 1707-9}
HWV 107
Dite, mie piante (Sop. and Basso continuo), {HG 50, HHA V/1, CB 25/13, Rome, July/Aug. 1708}
HWV 108
Dolce mio ben, s'io taccio (Sop. and Basso continuo), {HG 50, HHA V/1, CB 25/14, date unknown}
HWV 109a
Dolce pur d'amor l'affanno (Alto and Basso continuo), {HG 50, HHA V/1, CB 25/15, London, after 1710}
HWV 109b
Dolce pur d'amor l'affanno (Sop. and Basso continuo), {HG 50, HHA V/1, CB 25/16, London, after 1730}
HWV 110
Agrippina condotta a morire: Dunque saràpur vero (Sop. and Orch.), {HG 52a, HHA V/3, CB 24/9, Italy, 1707-1708}
HWV 111a
E partirai, mia vita (Sop. and Basso continuo), {HG 50, HHA V/1, CB 25/17, Italy, 1707-9}
HWV 111b
E partirai, mia vita (Sop. and Basso continuo), {HG 50, HHA V/1, CB 25/18, London, after 1710}
HWV 112
Figli del mesto cor (Alto and Basso continuo), {HG 50, HHA V/1, CB 25/19, Italy, 1707-9}
HWV 113
Figlio d'alte speranze (Sop. and Orch.), {HG 52a, HHA V/3, CB 24/10, Florence, 1706-1707}
HWV 114
Filli adorata e carra (Sop. and Basso continuo), {HG 50, HHA V/1, CB 25/20, Rome, 1707-9}
HWV 115
Fra pensieri quel pensiero (Alto and Basso continuo), {HG 50, HHA V/1, CB 25/21, Italy, 1707-8}
HWV 116
Fra tante pene (Sop. and Basso continuo), {HG 50, HHA V/1, CB 25/22}
HWV 117
Hendel, non puòmia musa (Sop. and Basso continuo), {HHA V/1}
HWV 118
[H]o fuggito amore anch'io (Alto and Basso continuo), (includes La Bella Pastorella, E troppo bella, troppo amorosa) {HG 51, HHA V/1, CB
25/72 and 154, London, after 1720}
HWV 119
(Io languisco fra le gioje). Echeggiate, festeggiate, Numi eterni (Three sopranos, alto, bass, and orch.) (Fragment, Cantata per Carlo VI), {HG
52a, HHA V/3, CB 44, London, end of 1710}
HWV 120a
Irene, idolo mio (Sop. and Basso continuo), {HHA V/1}
HWV 120b
Irene, idolo mio (Alto and Basso continuo), {HG 50, HHA V/1, CB 25/23, England, after 1710}
HWV 121a
La solitudine: L'aure grate, il fresco rio (fragment) (Alto and Basso continuo), {HG 50, HHA V/1, CB 25/24, London, c. 1721-3}
HWV 121b
La solitudine: L'aure grate, il fresco rio (Alto and Basso continuo), {HHA V/1, CB 56}
HWV 122
Apollo e Daphne: La terra èliberata (Sop., Bass and Orch.), {HG 52b, HHA V/4, CB 24/11, Italy, 1706-1709}
HWV 123
Languia di bocca lusinghiera (fragment?) (Sop., and Orch.), {HG 52b, HHA V/4, CB 24/23, Italy, 1707-9}
HWV 124
The Power of Musick or The Praise of Harmony: Look down, harmonious Saint (Ten., and Orch.), {HG 52a, HHA V/3, CB 110/3}
HWV 125a
Lungi da me pensier tiranno (Sop. and Basso continuo), {HHA V/1}
HWV 125b
Lungi da me pensier tiranno (Alto and Basso continuo), {HG 50, HHA V/1, CB 25/27, London, after 1710}
HWV 126a
Lungi da voi, che siete poli (Sop. and Basso continuo), {HHA V/1}
HWV 126b
Lungi da voi, che siete poli (Sop. and Basso continuo), {HG 50, HHA V/1}
HWV 126c
Lungi da voi, che siete poli (Alto and Basso continuo), {HG 50, HHA V/1, CB 25/28, London, after 1710}
HWV 127a
Lungi dal mio bel nume (Sop. and Basso continuo), {HG 50, HHA V/1, CB 25/25, Rome, 3rd March, 1708}
HWV 127b
Lungi dal mio bel nume (Alto and Basso continuo), {HHA V/1}
HWV 127c
Lungi dal mio bel nume (Sop. and Basso continuo), {HG 50, HHA V/1, CB 25/26, London, c. 1724-7}
HWV 128
Lungi n'andòFileno (Sop. and Basso continuo), {HG 50, HHA V/1, CB 25/29, Rome, Aug. 1708}
HWV 129
Manca pur quanto sai (Sop. and Basso continuo), {HG 50, HHA V/1, CB 25/30}
HWV 130
Mentre il tutto èin furore (Sop. and Basso continuo), {HG 50, HHA V/1, CB 25/31, Rome, Aug. 1708}
HWV 131
Menzognere speranze (Sop. and Basso continuo), {HG 50, HHA V/1, CB 25/32, Rome, Sept. 1707}
HWV 132a
Mi palpita il cor (2nd setting of HWV 106) (Sop. and Basso continuo), {HG 50, HHA V/1, CB 25/34, London, after 1710}
HWV 132b
Mi palpita il cor (fragment?) (Sop., Oboe and Basso continuo), {HG 52b, HHA V/3, CB 24/22, London, after 1710 c. 1717-8}
HWV 132c
Mi palpita il cor (Alto, Flute and Basso continuo), {HG 50, HHA V/3, CB 25/33, London, after 1710}
HWV 132d
Mi palpita il cor (Alto, Flute, Oboe and Basso continuo), {HHA V/3}
HWV 133
Ne' tuoi lumi, o bella Clori (Sop. and Basso continuo), {HG 50, HHA V/1, CB 25/38, Rome, Sept. 1707}
HWV 134
Pensieri notturni di Filli: Nel dolce dell' oblio (Sop., Flute and Basso continuo), {HG 52b, HHA V/4, CB 24/12, Rome 1707-1708}
HWV 135a
Nel dolce tempo (Sop. and Basso continuo), {HHA V/1}
HWV 135b
Nel dolce tempo (Alto and Basso continuo), {HG 50, HHA V/1, CB 25/35, London, after 1710}
HWV 136a
Nell'Africane selve (Bass and Basso continuo), {HG 50, HHA V/1, CB 25/36, Naples, June/July 1708}
HWV 136b
Nell'Africane selve (Bass and Basso continuo), {HHA V/1}
HWV 137
Nella stagion che (Sop. and Basso continuo), {HG 50, HHA V/1, CB 25/37}
HWV 138
Nice che fa? che pensa? (Sop. and Basso continuo), {HG 51, HHA V/2, CB 25/39, Italy, 1707-9}
HWV 139a
Ninfe e pastori, (Sop. and Basso continuo), {HG 51, HHA V/2, CB 25/40, Rome, 1707-9}
HWV 139b
Ninfe e pastori, (Alto and Basso continuo), {HG 51, HHA V/2, CB 25/41, London, after 1710}
HWV 139c
Ninfe e pastori, (Sop. and Basso continuo), {HG 51, HHA V/2, CB 25/42, London, c. 1727}
HWV 140
Spanish Cantata: No se emendera jamas, (Sop., guitar and Basso continuo) {HG 52b, HHA V/4, CB 24/13, Rome, September 1707}
HWV 141
Non sospirar, non piangere, (Sop. and Basso continuo), {HG 51, HHA V/2, CB 25/43, Florence, autumn 1707}
HWV 142
Notte placida e cheta, (Sop. and Orch.), {HHA V/4}
HWV 143
Olinto pastore, Tebro fiume , Gloria: O! Come chiare e belle. , (2 Sop., Alto and Orch.), {HG 52b, HHA V/4, CB 24/14, Rome,
August/September 1708}
HWV 144
O lucenti, o sereni occhi, (Sop. and Basso continuo), {HG 51, HHA V/2, CB 25/45, Rome, 1707-9}
HWV 145
La Lucrezia: O numi eterni (Sop. and Basso continuo), {HG 51, HHA V/2, CB 25/46, Florence, 1706-7}
HWV 146
Occhi miei, che faceste, (Sop. and Basso continuo), {HG 51, HHA V/2, CB 25/44, Rome, 1707-8}
HWV 147
Parti, l'idolo mio, (Sop. and Basso continuo), {HG 51, HHA V/2, CB 25/47, London, after 1710}
HWV 148
Piochègiuraro amore, (Sop. and Basso continuo), {HG 51, HHA V/2, CB 25/48, Rome, early 1707}
HWV 149
Qual sento io non conosciuto, (Sop. and Basso continuo), {HHA V/2}
HWV 150
(Ero e Leandro:) Qual ti riveggio, oh Dio, (Sop. and Orch.), {HHA V/4, CB 27, Rome, 1707}
HWV 151
Qualor crudele si mia vaga Dori, (Alto and Basso continuo), {HG 51, HHA V/2, CB 25/49, London, after 1710}
HWV 152
Qualor l'egre pupille, (Sop. and Basso continuo), {HG 51, HHA V/2, CB 25/50, Rome, Sept. 1707}
HWV 153
Quando sperasti, o core, (Sop. and Basso continuo), {HG 51, HHA V/2, CB 25/51, probably Naples, June/July 1708}
HWV 154
Quel fior che all'alba ride, (Sop. and Basso continuo), {HHA V/2} (see also HWV 192, duo cantata, and HWV 200, trio cantata)
HWV 155
Sans y penser àTirsis, (Sop. and Basso continuo), {HHA V/2, CB 28}
HWV 156
Sarai contenta un di, (Sop. and Basso continuo), {HG 51, HHA V/2, CB 25/52, Florence, 1706-7}
HWV 157
Sarei troppo felice, (Sop. and Basso continuo), (fragment), {HG 51, HHA V/2, CB 25/53, Rome, Sept. 1707}
HWV 158a
Se pari èla tua fe, (Sop. and Basso continuo), {HHA V/2}
HWV 158b
Se pari èla tua fe, (Sop. and Basso continuo), {HG 51, HHA V/2, CB 25/58, London, after 1710}
HWV 158c
Se pari èla tua fe, (Sop. and Basso continuo), {HG 51, HHA V/2, CB 25/59, London, c. 1724-7}
HWV 159
Se per fatal destino, (Sop. and Basso continuo), {HG 51, HHA V/2, CB 25/60, Rome, early 1707}
HWV 160a
La bianca rosa: Sei pur bella, pur vezzosa, (Sop. and Basso continuo), {HG 51, HHA V/2, CB 25/54B, Rome, early 1707}
HWV 160b
La bianca rosa: Sei pur bella, pur vezzosa, (Sop. and Basso continuo), {HG 51, HHA V/2, CB 25/54A, London, c. 1724-7}
HWV 160c
La bianca rosa: Sei pur bella, pur vezzosa, (Sop. and Basso continuo), {HG 51, HHA V/2, CB 25/55B, London, perhaps 1724-30}
HWV 161a
Sento làche ristretto, (Sop. and Basso continuo), {HHA V/2, CB 25/57B, Rome, 1708-9}
HWV 161b
Sento làche ristretto, (Alto and Basso continuo), {HG 51, HHA V/2, CB 25/56A, possibly Naples, June/July 1708}
HWV 161c
Sento làche ristretto, (Sop. and Basso continuo), {HG 51, HHA V/2}
HWV 162
Siete rose rugiadose, (Alto and Basso continuo), {HG 51, HHA V/2, CB 25/61, England, c. 1711-12}
HWV 163
Solitudini care, amata liberatà, (Sop. and Basso continuo), {HG 51, HHA V/2, CB 25/62, London, after 1710}
HWV 164a
Il gelsomino: Son gelsomino, (Sop. and Basso continuo), {HG 51, HHA V/2, CB 25/63}
HWV 164b
Il gelsomino: Son gelsomino, {HHA V/2}
HWV 165
Spande ancor a mio dispetto, (Bass and Orch.), {HG 52a, HHA V/3, CB 24/15, Italy, 1707-8}
HWV 166
Splenda l'alba in oriente, (Alto and Orch.), {HG 52a, HHA V/3, CB 45, London, perhaps 1711-2}
HWV 167a
Stanco di piùsoffrire, (Alto and Basso continuo), {HG 51, HHA V/2, CB 25/64, Italy, 1707-8}
HWV 167b
Stanco di piùsoffrire, (Sop. and Basso continuo), {HHA V/2}
HWV 168
Partenza di G.B.: Stelle, perfide stelle, (Sop. and Basso continuo), {HG 51, HHA V/2, CB 25/65, Rome, 1707}
HWV 169
Torna il core al suo diletto, (Sop. and Basso continuo), {HG 51, HHA V/2, CB 25/66, possibly Rome, 1707-8}
HWV 170
Tra le fiamme, (Sop. and Orch.), {HG 52b, HHA V/4, CB 24/16, Rome, 1707-8}
HWV 171
Tu fedel? Tu constante?, (Sop. and Orch.), {HG 52b, HHA V/4, CB 24/17, Florence/Rome, 1706-7}
HWV 172
Udite il mio consiglio, (Sop. and Basso continuo), {HG 51, HHA V/2, CB 25/67, Rome, April/May, 1707}
HWV 173
Un' alma innamorata, (Sop. and Orch.), {HG 52b, HHA V/4, CB 24/18, Rome, May, 1707}
HWV 174
Un sospir a chi si muove, (Sop. and Basso continuo), {HG 51, HHA V/2, CB 25/68, Florence, autumn 1707}
HWV 175
Vedendo amor, (Alto and Basso continuo), {HG 51, HHA V/2, CB 25/69, Rome, 1707-8}
HWV 176
(Amore ucellatore:) Venne voglia ad amore, (Alto and Basso continuo), {HG 51, HHA V/2, CB 25/70, Rome, 1707-8}
HWV 177
Zeffiretto, arresta il volo, (Sop. and Basso continuo), {HG 51, HHA V/2, CB 25/71, Italy, 1707-9}

3.b Vocal Duets
 
HWV 178
A mirarvi io son intento, (Sop., Alto and Basso continuo), {HG 32, 32a, HHA V/5, 6, CB 36/7}
HWV 179
Ahi, nelle sorte umane, (2 Sops. and Basso continuo), {HG 32a, HHA V/5, 6, CB 129/7}
HWV 180
Amor gioje mi porge, (2 Sops. and Basso continuo), {HG 32, 32a, HHA V/5, 6, CB 36/5}
HWV 181
Beato in ver chi può, (Sop., Alto and Basso continuo), {HG 32a, HHA V/5, 6, CB 129/5}
HWV 182a
Caro autor di mia doglia, (Sop., Ten. and Basso continuo), {HG 32a, HHA V/5, 6, CB 29/1}
HWV 182b
Caro autor di mia doglia (2 Altos and Basso continuo), {HG 32a, HHA V/5, 6, CB 129/1}
HWV 183
Caro autor di mia doglia, (2 Sops. and Basso continuo), {HG 32, 32a, HHA V/5, 6, CB 36/1}
HWV 184
Che vai pensando, (Sop., Bass and Basso continuo), {HG 32, 32a, HHA V/5, 6, CB 36/4}
HWV 185
Conservate, raddopiatte, (Sop., Alto and Basso continuo), {HG 32, 32a, HHA V/5, 6, CB 36/10}
HWV 186
Fronda leggiera e mobile, (Sop., Alto and Basso continuo), {HG 32a, HHA V/5, 6, CB 129/6}
HWV 187
Giùnei Tartarei regni, (Sop., Bass and Basso continuo), {HG 32a, HHA V/5, 6, CB 29/2, Italy, c. 1707}
HWV 188
Langue, geme, sospira, (Sop., Alto and Basso continuo), {HG 32, 32a, HHA V/5, 6, CB 36/12}
HWV 189
No, di voi non vuo fidarmi, (2 Sops. and Basso continuo), {HG 32a, HHA V/5, 6, CB 129/3}
HWV 190
No, di voi non vuo fidarmi, (Sop., Alto and Basso continuo), {HG 32a, HHA V/5, 6, CB 129/4}
HWV 191
Quando in calma ride il mare, (Sop., Bass and Basso continuo), {HG 32, 32a, HHA V/5, 6, CB 36/8}
HWV 192
Quel fior che all'alba ride, (2 Sops. and Basso continuo), {HG 32a, HHA V/5, 6, CB 129/2} (see also HWV 154, solo cantata, and HWV 200, trio
cantata)
HWV 193
Se tu non lasci amore, (Sop., Alto and Basso continuo), {HG 32, 32a, HHA V/5, 6, CB 36/13} (see also HWV 201 for trio)
HWV 194
Sono liete, fortunate, (Sop., Alto and Basso continuo), {HG 32, 32a, HHA V/5, 6, CB 36/2}
HWV 195
Spero indarno (doubtful), (Sop., Bass and Basso continuo), {HHA V/5, 6}
HWV 196
Tacete, ohimè, tacete!, (Sop., Bass and Basso continuo), {HG 32, 32a, HHA V/5, 6, CB 36/9}
HWV 197
Tanti strali al sen, (Sop., Alto and Basso continuo), {HG 32, 32a, HHA V/5, 6, CB 36/11}
HWV 198
Troppo cruda, troppo fiera, (Sop., Alto and Basso continuo), {HG 32, 32a, HHA V/5, 6, CB 36/3}
HWV 199
Và, speme infida!, (2 Sops. and Basso continuo), {HG 32, 32a, HHA V/5, 6, CB 36/6}

3.c Vocal Trios
 
HWV 200
Quel fior che all'alba ride, (2 Sops., Bass and Basso continuo), {HG 32, 32a, HHA V/5, 6, A174-176, CB 30/2, Italy, c. 1708}
HWV 201a,b
Se tu non lasci amore, mio, cor, (2 Sops., Bass and Basso continuo), {HG 32, 32a, HHA V/5, 6, A174-176, CB 30/1, Naples, 12 July, 1708}

3.d Arias and Songs
 
HWV 202
Künft'ger Zeiten eitler Kummer , From: 9 Deutsche Arien, (Sop., obligato and Basso continuo)
HWV 203
Das zitternde Glänzen der spielenden Wellen, From: 9 Deutsche Arien, (Sop., obligato and Basso continuo)
HWV 204
Süsser Blumen Ambraflocken, From: 9 Deutsche Arien, (Sop., obligato and Basso continuo)
HWV 205
Süsse Stille, saufte Quelle, From: 9 Deutsche Arien, (Sop., obligato and Basso continuo)
HWV 206
Singe, Seele, Gott zum Priese, From: 9 Deutsche Arien, (Sop., obligato and Basso continuo)
HWV 207
Meine Seele hört im Sehen, From: 9 Deutsche Arien, (Sop., obligato and Basso continuo)
HWV 208
Die ihr aus dunklen Grüften, From: 9 Deutsche Arien, (Sop., obligato and Basso continuo)
HWV 209
In der angenehmen Büschen, From: 9 Deutsche Arien, (Sop., obligato and Basso continuo)
HWV 210
Flammende Rose, Zierde der Erden, From: 9 Deutsche Arien, (Sop., obligato and Basso continuo)
HWV 211
Aure dolci, deh, spirate, (Alto and Orch.), {HHA V/5,6}
HWV 212
Con doppia gloria mia, (Sop. and Orch.), {HHA V/5,6}
HWV 213
Con lacrime sìbelle, (Alto and Orch.), {HHA V/5,6}
HWV 214
Dell'onda instabile, (Alto, Flute and Basso continuo), {HHA V/5,6}
HWV 215
Col valor del vostro brando, (Sop. and Orch.), {HHA V/5,6}
HWV 216
Impari del mio core, (Sop. and Basso continuo), {HHA V/5,6}
HWV 217
L'odio, sì, ma poi ritrovò, (Alto and Orch.), {HHA V/5,6}
HWV 218
Love's but the frailty of the mind, (Alto and Orch.), {HHA V/5,6, CB ?22/38}
HWV 219
Non so se avrai, (Sop. and Basso continuo), {HHA V/5,6}
HWV 220
Per dar pace al mio tormento, (Sop. and Basso continuo), {HHA V/5,6}
HWV 221
Quant'invidio tua fortuna, (Sop. and Basso continuo), {HHA V/5,6}
HWV 222
Quanto piùamara fu sorte crudele, (Sop. and Orch.), {HHA V/5,6}
HWV 223
S'un dìm'appaga, la mia crudele, (Sop. and Orch.), {HHA V/5,6}
HWV 224
Sì, crudel, tornerà (fragment), (Sop. and Orch.)
HWV 225
Speràchi sa perchèla sorte, (Alto and Orch.)
HWV 226
The morning is charming, Hunting Song, (Sop. and Basso continuo), {HHA V/5,6, CB 151}
HWV 227
Vo' cercando tra fiori, (Sop. and Orch.), {HHA V/5,6}
HWV 228
24 English Songs

4. Church Music

HWV 229
Seven Church Cantatas from Halle (Music Missing)
HWV 230
Ah! che troppo ineguali/ O del ciel! Maria Regina (fragment?),
HWV 231
Coelestis dum spirat aura, Antiphon, (Sop. and Orch.), {HHA III/2, CB 21, Rome, May/June 1707}
HWV 232
Dixit Dominus Domino meo in G minor, (Sop., Alto, Choir and Orch.) {HG 38, HHA III/1, CB 13, HWV 232, Rome, April 1707}
HWV 233
Donna, che in ciel di tanta luce splendi, Motet, (Sop., Alto, Choir and Orch.) {HHA III/2, CB 20, Rome, suspected January 1708}
HWV 234
Il pianto di Maria: Giunta l'ora fatal, Sacred Cantata, (Sop. and Orch.)
HWV 235
Haec est Regina virginum, Antiphon, (Sop. and Orch.), {CB 17, Rome, 1707}
HWV 236
Laudate Pueri Dominum in F major, (Sop. and Orch.), {HG 38, 1, HHA III/2, CB 3, c. 1703-1706}
HWV 237
Laudate pueri Dominum in D major, (Sop., Choir and Orch.), {HG 38, HHA III/2, CB 14, Rome, July 1707}
HWV 238
Nisi Dominus (and Gloria Patri), (Alto, Ten., Bass, Choir and Orch.), {HG 38, HHA III/2, CB 15, Rome, 13 July 1707}
HWV 239
O qualis de coelo sonus, Antiphon, (Sop. and Orch.), {HHA III/2, CB 22, Rome, May/June 1707}
HWV 240
Saeviat tellus inter rigores, Motet, (Sop. and Orch.), {HHA III/2, CB 19, Rome, c. 1707-1708}
HWV 241
Salve Regina in G minor, (Sop. and Orch.), {HG 38, HHA III/2, CB 16, Rome, May/June 1707}
HWV 242
Silete Venti, motet, (Sop. and Orch.), {HG 38, HHA III/2, CB 82}
HWV 243
Te decus virginum, Antiphon, (Alto and Orch.), {CB 18, Rome, c. 1707-1708}
HWV 244
Kyrie eleison (Incomplete), (SATB soloists and Orch.), {HHA III/2, CB ?5}
HWV 245
Gloria in excelsis Deo, (5-6 singers and Orch.), {HHA III/2}

4.b Anthems
 
HWV 246
1. O be joyful (Chandos Jubilate), (Choir and Orch.), {HG 34, HHA III/4, A72-74, CB 54/1}, from Chandos Anthems
HWV 247
2. In the Lord put I my trust, (Choir and Orch.), {HG 34, HHA III/4, A72-74, CB 54/2}, from Chandos Anthems
HWV 248
3. Have mercy on me, O God, (Choir and Orch.), {HG 34, HHA III/4, A74-79, CB 54/3}, from Chandos Anthems
HWV 249a
4a. O sing unto the Lord, (Choir and Orch.), {HG 36, HHA III/9, A74-79, CB 54/4a?}, from Chandos Anthems
HWV 249b
4b. O sing unto the Lord, (Choir and Orch.), {HG 34, HHA III/4, A74-79, CB 54/4}, from Chandos Anthems
HWV 250a
5a. I will magnify thee, O Lord, (Choir and Orch.), {HG 34, HHA III/5, A74-79, CB 54/5}, from Chandos Anthems
HWV 250b
5b. I will magnify thee, O Lord, (Choir and Orch.), {HG 34, HHA III/9, A74-79, CB 54/5a}, from Chandos Anthems
HWV 251a
6a. As pants the hart, (Choir and Orch.), {HG 34, HHA III/9, A74-79, CB 54/6b}, from Chandos Anthems
HWV 251b
6b. As pants the hart, (Choir and Orch.), {HG 34, HHA III/5, CB 54/6}, from Chandos Anthems
HWV 251c
6c. As pants the hart, (Choir and Orch.), {HG 34, HHA III/9, A74-79, CB 54/6a}, from Chandos Anthems
HWV 251d
6d. As pants the hart , (Choir and Orch.), {HG 36, HHA III/9, A74-79, CB 54/6c}, from Chandos Anthems
HWV 252
7. My song shall be alway, (Choir and Orch.), {HG 35, HHA III/5, A74-79, CB 54/7}, from Chandos Anthems
HWV 253
8. O come let us sing unto the Lord, (Choir and Orch.), {HG 35, HHA III/5, A74-79, CB 54/8}, from Chandos Anthems
HWV 254
9. O praise the Lord with One Consent, (Choir and Orch.), {HG 35, HHA III/6, A79-83, CB 54/9}, from Chandos Anthems
HWV 255
10. The Lord is my light, (Choir and Orch.), {HG 35, HHA III/6, A79-83, CB 54/10}, from Chandos Anthems
HWV 256a
11a. Let God arise, (Choir and Orch.), {HG 35, HHA III/6, A79-83, CB 54/11a}, from Chandos Anthems
HWV 256b
11b. Let God arise, (Choir and Orch.), {HG 35, HHA III/9, A79-83, CB 54/11b}, from Chandos Anthems
HWV 257
O Praise the Lord, Ye Angels of His (probably by M. Greene) (Soli, Choir and Orch.), {HG 36, A153-154, CB 71}, from Chandos Anthems
HWV 258
1. Zadok the Priest, (Choir and Orch.) {HG 14, HHA III/10, A157-159, CB 78/1), from Coronation Anthems
HWV 259
2. Let Thy Hand be Strengthened, (Choir and Orch.) {HG 14, HHA III/10, A157-159, CB 78/4), from Coronation Anthems
HWV 260
3. The King shall Rejoice, (Choir and Orch.) {HG 14, HHA III/10, A157-159, CB 78/2), from Coronation Anthems
HWV 261
4. My Heart is Inditing, (Choir and Orch.) {HG 14, HHA III/10, A157-159, CB 78/3), from Coronation Anthems
HWV 262
Wedding Anthem for Princess Anne and William, Prince of Orange, This is the Day which the Lord hath made, (soli, chor and orch.) {HG 36,
HHA III/11, CB 99}
HWV 263
Wedding Anthem for Prince Frederick and Princess Augusta of Saxe-Coburg, Sing unto God, ye kingdoms of the earth, (Soli, chor and orch.)
{HG 36, HHA III/11, CB 106}
HWV 264
Funeral anthem for Queen Caroline, The ways of Zion do mourn, (Choir and Orch.) {HG 11, HHA III/12, A155-156, CB 113}
HWV 265
Dettingen Anthem, The King shall rejoice, (Soli, choir and orch.) {HG 36, HHA III/13, A156-157, CB 133}
HWV 266
How Beautiful are the Feet, Anthem for the Peace of Aix-la-Chapelle, (Soli, chor and orch.) {HHA III/14}
HWV 267
How Beautiful are the Feet, Anthem (fragment), (Soli, chor and orch.)
HWV 268
Foundling Hospital Anthem , Blessed are they that considereth the poor, (Soli, chor and orch.) {HG 36, HHA III/14, CB 146}
HWV 269
Amen alleluja, (Sop. and Basso Continuo), {HG 38, HHA III/supl., CB 155/1)
HWV 270
Amen, (Sop. and Basso Continuo), {HG 38, HHA III/supl., CB 155/2)
HWV 271
Amen alleluja, (Sop. and Basso Continuo), {HG 38, HHA III/supl., CB 155/3)
HWV 272
Alleluja amen, (Sop. and Basso Continuo), {HG 38, HHA III/supl., CB 155/4)
HWV 273
Alleluja amen, (Sop. and Basso Continuo), {HG 38, HHA III/supl., CB 155/5)
HWV 274
Alleluja amen, (Sop. and Basso Continuo), {HG 38, HHA III/supl., CB 155/6)
HWV 275
Amen alleluja, (Sop. and Basso Continuo), {HHA III/supl.,)
HWV 276
Amen halleluja, (Sop. and Basso Continuo), {HHA III/supl.,)
HWV 277
Halleluja, amen, (Sop. and Basso Continuo), {HHA III/supl.,)

HWV 278
Utrecht Te Deum, (Soli, choir and Orch.) {HG 31, HHA II/3, A15-16, CB 41, London, finished 14th Jan. 1713}
HWV 279
Utrecht Jubilate, (Soli, choir and Orch.) {HG 31, HHA III/3, A17 (Symph. at A20), CB 41, London, early 1713}
HWV 280
Te Deum in D major (Caroline), (Soli, choir and Orch.) {HG 37, HHA III/8, A13, CB 47, London, c. 1714}
HWV 281
Te Deum in B flat major (Chandos), (Soli, choir and Orch.) {HG 37, HHA III/7, A14-15, CB 58}
HWV 282
Te Deum in A major, (Soli, choir and Orch.) {HG 37, HHA III/8, AA20, CB 62}
HWV 283
Dettingen Te Deum, (Soli, choir and Orch.) {HG 25, HHA III/13, A17-19, CB 134}

HWV 284
The Invitation: Sinners, obey the Gospel Word (Sop. and Basso Continuo) - Hymn tune Cannons, {CB 150}
HWV 285
Desiring to Love: O Love divine, how sweet Thou art (Sop. and Basso Continuo) - Hymn tune Fitzwilliam, {CB 150}
HWV 286
On the Resurrection: Rejoice the Lord is King (Sop. and Basso Continuo) - Hymn tune Gopsall, {CB 150}

5. Orchestral Works

WV 287
Oboe Concerto No. 3 in G minor, {HG 21, HHA IV/12, CB 5/3, Hamburg(?), c. 1703-1705}
HWV 288
Sonata (Concerto) à5 in B flat major, (violin solo and orch.), {HG 21, HHA IV/12, CB 35}
HWV 289
No. 1 in G minor, {HG 28, HHA IV/2, A121-124, CB 103/1}, Organ Concertos (1st set), Op. 4
HWV 290
No. 2 in B flat major, {HG 28, HHA IV/2, A121-124, CB 103/2}, Organ Concertos (1st set), Op. 4
HWV 291
No. 3 in G minor, {HG 28, HHA IV/2, A121-124, CB 103/3}, Organ Concertos (1st set), Op. 4
HWV 292
No. 4 in F major, {HG 28, HHA IV/2, A121-124, CB 103/4}, Organ Concertos (1st set), Op. 4
HWV 293
No. 5 in F major, {HG 28, HHA IV/2, A121-124, CB 103/5}, Organ Concertos (1st set), Op. 4
HWV 294
No. 6 in B flat major, {HG 28, HHA IV/2, A121-124, CB 103/6}, Organ Concertos (1st set), Op. 4
HWV 295
No. 1 in F major (Organ Concerto No.13 'The Cuckoo and The Nightingale'), {HG 48, HHA IV/7, A179-180?, CB 120/1}, Organ Concertos (2nd set)
HWV 296a
No. 2 in F major (Organ Concerto No.14), {HG 48, HHA IV/7, A179-180?, CB 120/2}, Organ Concertos (2nd set)
HWV 296b
'Pasticcio' Concerto in A major, Organ Concertos (2nd set)
HWV 297
No. 3 in D Minor for organ solo - Transcription of HWV 328, {HG 48, A179-180?, CB ?17/1}, Organ Concertos (2nd set)
HWV 298
No. 4 in G Major for organ solo - Transcription of HWV 319, {HG 48, A179-180?, CB ?17/2}, Organ Concertos (2nd set)
HWV 299
No. 5 in D Major for organ solo - Transcription of HWV 323, {HG 48, A179-180?, CB ?17/3}, Organ Concertos (2nd set)
HWV 300
No. 5 in G Minor for organ solo - Transcription of HWV 324, {HG 48, A179-180?, CB ?17/4}, Organ Concertos (2nd set)
HWV 301
Oboe Concerto No. 1 in B flat major {HG 21, HHA IV/12, CB 5/1, c. 1706-1710}
HWV 302a
Oboe Concerto No. 2. in B flat major {HG 21, HHA IV/12, CB 5/2, after 1718}
HWV 302b
Concerto in F major (2 horns, 2 oboes, strings and continuo), (Suite des Pièces) - only one movement extant {HG 21, HHA IV/12, CB 144C}
HWV 303
Concerto (Adagio) in D minor for 2 organs, Bassoons and strings {HG 48, HHA IV/12, CB 167}
HWV 304
Concerto in D minor, for organ and strings (Organ Concerto No.15) {HG 48, HHA IV/12, CB 166}
HWV 305a
Concerto in F major, for organ and strings (Organ Concerto No.16) (similar to HWV 334) {HG 48, HHA IV/16, CB 164B?}
HWV 305b
Concerto in F major, for organ solo (similar to HWV 334) {HG 48, HHA IV/16}
HWV 306
No. 1. in B flat major (Organ Concerto No.7) {HG 28, HHA IV/7, A124-128, CB 128/1}, Organ Concertos (3rd set), Op. 7
HWV 307
No. 2. in A major (Organ Concerto No.8) {HG 28, HHA IV/7, A124-128, CB 128/2}, Organ Concertos (3rd set), Op. 7
HWV 308
No. 3. in B flat major (Organ Concerto No.9 {HG 28, HHA IV/7, A124-128, CB 128/3}, Organ Concertos (3rd set), Op. 7
HWV 309
No. 4. in D minor (Organ Concerto No.10) {HG 28, HHA IV/7, A124-128, CB 128/4}, Organ Concertos (3rd set), Op. 7
HWV 310
No. 5. in G minor (Organ Concerto No.11) {HG 28, HHA IV/7, A124-128, CB 128/5}, Organ Concertos (3rd set), Op. 7
HWV 311
No. 6. in B flat major (Organ Concerto No.12) {HG 28, HHA IV/7, A124-128, CB 128/6}, Organ Concertos (3rd set), Op. 7

5.b Concerti Grossi and Orchestral Concerti

HWV 312
No. 1. in B flat major, {HG 21, HHA IV/11, A172-174, CB 53/1}, from Concerti Grossi, Op. 3
HWV 313
No. 2. in B flat major, {HG 21, HHA IV/11, A172-174, CB 53/2}, from Concerti Grossi, Op. 3
HWV 314
No. 3. in G major, {HG 21, HHA IV/11, A172-174, CB 53/3}, from Concerti Grossi, Op. 3
HWV 315
No. 4. in F major, {HG 21, HHA IV/11, A172-174, CB 53/4}, from Concerti Grossi, Op. 3
HWV 316
No. 5. in D minor, {HG 21, HHA IV/11, A172-174, CB 53/5}, from Concerti Grossi, Op. 3
HWV 317
No. 6. in D major/minor, {HG 21, HHA IV/11, A172-174, CB 53/6}, from Concerti Grossi, Op. 3
HWV 318
Concerto Grosso in C major (Concerto in Alexander's Feast), {HG 21, HHA IV/15, CB 105}
HWV 319
No. 1. in G major, {HG 30, HHA IV/14, A60-64, CB 123/1}, Concerti Grossi, Op. 6
HWV 320
No. 2. in F major, {HG 30, HHA IV/14, A60-64, CB 123/2}, Concerti Grossi, Op. 6
HWV 321
No. 3. in E minor, {HG 30, HHA IV/14, A60-64, CB 123/3}, Concerti Grossi, Op. 6
HWV 322
No. 4. in A minor, {HG 30, HHA IV/14, A60-64, CB 123/4}, Concerti Grossi, Op. 6
HWV 323
No. 5. in D major, {HG 30, HHA IV/14, A60-64, CB 123/5}, Concerti Grossi, Op. 6
HWV 324
No. 6. in g minor, {HG 30, HHA IV/14, A60-64, CB 123/6}, Concerti Grossi, Op. 6
HWV 325
No. 7. in B flat major, {HG 30, HHA IV/14, A60-64, CB 123/7}, Concerti Grossi, Op. 6
HWV 326
No. 8. in C minor, {HG 30, HHA IV/14, A60-64, CB 123/8}, Concerti Grossi, Op. 6
HWV 327
No. 9. in F major, {HG 30, HHA IV/14, A60-64, CB 123/9}, Concerti Grossi, Op. 6
HWV 328
No. 10. in D minor, {HG 30, HHA IV/14, A60-64, CB 123/10}, Concerti Grossi, Op. 6
HWV 329
No. 11. in A major, {HG 30, HHA IV/14, A60-64, CB 123/11}, Concerti Grossi, Op. 6
HWV 330
No. 12. in B minor, {HG 30, HHA IV/14, A60-64, CB 123/12}, Concerti Grossi, Op. 6
HWV 331
Concerto in F major, for 2 oboes, bassoon, 2 horns, strings and continuo {HG 47, HHA IV/13, CB 49}
HWV 332
Concerto a due cori in B flat major, for oboes, bassoons, strings and continuo {HG 47, HHA IV/12 and IV/16, CB 162}
HWV 333
Concerto a due cori in F major, for horns, oboes, bassoons, strings and continuo {HG 47, HHA IV/16, CB 163}
HWV 334
Concerto a due cori in F major , for 2 horns, 2 oboes, strings and continuo {HG 47 (Supplement S. 203-241), HHA IV/16, CB 164A}
HWV 335a
Concerto in D major, for 2 oboes, bassoon, 4 horns, 2 trumpets, drums, strings and continuo {HG 47, HHA IV/16, CB 144B}
HWV 335b
Concerto in F major, for 2 oboes, bassoon, 4 horns, strings and continuo {HG 47, HHA IV/16, CB 144A?}

HWV 336
Overture in B flat major, for oboes, strings and continuo {HG 48, HHA IV/15, CB 165}
HWV 337
Overture in D major, for oboes, bassoon, strings and continuo {HHA IV/15}
HWV 338
Adagio in B minor/Allegro in D major, for flute, violin solo, arciliuto, 'cello and orch. {HHA IV/15}
HWV 339
Sinfonia in B flat major, for violins and continuo, {HHA IV/15}
HWV 340
Allegro in G major, for violins and continuo, {HG 48, HHA IV/19, CB 169/1}
HWV 341
Overture in D major (Handel's Water Piece) {HHA IV/13} - authenticity uncertain; movements arranged from water music and Partenope,
HWV 27
HWV 342
Overture in F major, for oboes, horns and strings, {HG 48, 84, CB 169/4?}
HWV 343
Ritornello for HWV 435, (Chaconne in G major), for oboes, strings and continuo, {HHA IV/19}
HWV 344
Chorus and Menuet in D major (from HWV 3, Florindo), for strings, {HHA IV/19}
HWV 345
March in D major, for trombone and strings, {HG 48, HHA IV/19, CB 169/7}
HWV 346
March in F major (March from Ptolomy, HWV 25), for oboes, horns and bassoon continuo, {HG 48, HHA IV/19, CB 169/8}
HWV 347
Sinfonia, B flat for oboe, 3 violins, viola and basso continuo - used for org. conc. op 7 no. 6, HWV 311, and intro. to Joshua, HWV 64, {HHA
IV/19}
HWV 348
Water Music, Suite No. 1 in F major, {HG 47, HHA IV/13, A23-24, CB 50}
HWV 349
Water Music, Suite No. 2 in D major, {HG 47, HHA IV/13, A23-24, CB 55/1-5}
HWV 350
Water Music, Suite No. 3 in G major/minor, {HG 47, HHA IV/13, A23-24, CB 55/6-12}
HWV 351
Music for the Royal Fireworks {HG 47, HHA IV/13, A24, CB 145}
HWV 352
Suite in B flat major (from HWV 4, Daphne), {HHA IV/19}
HWV 353
Suite in G major (from HWV 4, Daphne), {HHA IV/19}
HWV 354
Suite in B flat major (from HWV 3, Florindo), {HHA IV/19}
HWV 355
Aria (Hornpipe) in C minor, {HHA IV/19}
HWV 356
Hornpipe in D major , for violins, violas and bassi {HG 48, HHA IV/19, CB 125}

6. Chamber Music

6.a Solo Sonatas

HWV 357
Sonata in B flat major, for oboe and continuo, {HHA IV/18/6, CB 157} (Fitzwilliam?)
HWV 358
Sonata in G major, for violin and continuo, {HHA IV/18/1} (Fitzwilliam?)
HWV 359a
Sonata in D minor, for violin and continuo, {HHA IV/18/3, CB 67/1?}
HWV 359b
Sonata in E minor, for flute and continuo, Op. 1/1b, {HG 27, HHA IV/3/2, A139-140, CB 67/1a}
HWV 360
Sonata in G minor, for recorder and continuo, Op. 1/2, {HG 27, HHA IV/3/3, A139-140, CB 67/2}
HWV 361
Sonata in A major, for violin and continuo, Op. 1/3, {HG 27, HHA IV/4/1, A139-140, CB 67/3}
HWV 362
Sonata in A minor, for recorder and continuo, Op. 1/4, {HG 27, HHA IV/3/4, A139-140, CB 67/4}
HWV 363a
Sonata in F major, for oboe and continuo, {HHA IV/18}
HWV 363b
Sonata in G major, for flute and continuo, Op. 1/5, {HG 27, HHA IV/3/5, A139-140, CB 67/5}
HWV 364a
Sonata in G minor, for violin or oboe and continuo, Op. 1/6, {HG 27, HHA IV/18/2, A139-140, CB 67/6?}
HWV 364b
Sonata in G minor, for viola da gamba and continuo
HWV 365
Sonata in C major, for recorder and continuo, Op. 1/7, {HG 27, HHA IV/3/6, A139-140, CB 67/7}
HWV 366
Sonata in C minor, for oboe and continuo, Op. 1/8, {HG 27, HHA IV/18/7, A139-140, CB 67/8}
HWV 367a
Sonata in D minor (Fitzwilliam III), for recorder and continuo, {HHA IV/18/5, CB 156/3 and 156/2(1)}
HWV 367b
Sonata in B minor, for flute and continuo, Op. 1/9, {HG 27, HHA IV/3/7, A139-140, CB 67/9}
HWV 368
Sonata in G minor, for violin and continuo, Op. 1/10, {HG 27, HHA IV/4/2, A139-140, CB 67/10}
HWV 369
Sonata in F major, for recorder and continuo, Op. 1/11, {HG 27, HHA IV/3/8, A139-140, CB 67/11}
HWV 370
Sonata in F major, for violin and continuo, Op. 1/12, {HG 27, HHA IV/4/3, A139-140, CB 67/12}
HWV 371
Sonata in D major, for violin and continuo, Op. 1/13, {HG 27, HHA IV/4/4, A139-140, CB 67/13}
HWV 372
Sonata in A major, for violin and continuo, Op. 1/14, {HG 27, HHA IV/4/5, A139-140, CB 67/14}
HWV 373
Sonata in E major, for violin and continuo, Op. 1/15, {HG 27, HHA IV/4/6, A139-140, CB 67/15}
HWV 374
Sonata in A minor ('Halle' I), for flute and continuo, {HG 48/XVI, HHA IV/3/9, CB 8/1, London, before 1730}
HWV 375
Sonata in E minor ('Halle' II), for flute and continuo, {HG 48/XVII, HHA IV/3/10, CB 8/2, London, before 1730}
HWV 376
Sonata in B minor ('Halle' III), for flute and continuo, {HG 48/XVIII, HHA IV/3/11, CB 8/3, London, before 1730}
HWV 377
Sonata in B flat major (Fitzwilliam I), for recorder and continuo, {HHA IV/18/4, CB 156/1}
HWV 378
Sonata in D major, for flute and continuo, {HHA IV/18/9}
HWV 379
Sonata in E minor, for flute and continuo, Op. 1/1a, {HG 27, HHA IV/3/1}

HWV 380
Sonata in B flat major, for oboe, violin (or 2 oboes) and continuo, {HG 27, HHA IV/9, CB 1/1, c. 1695-1705}
HWV 381
Sonata in D minor, for oboe, violin (or 2 oboes) and continuo, {HG 27, HHA IV/9, CB 1/2, c. 1695-1705}
HWV 382
Sonata in E flat major, for oboe, violin (or 2 oboes) and continuo, {HG 27, HHA IV/9, CB 1/3, c. 1695-1705}
HWV 383
Sonata in F major, for oboe, violin (or 2 oboes) and continuo, {HG 27, HHA IV/9, CB 1/4, c. 1695-1705}
HWV 384
Sonata in G major, for oboe, violin (or 2 oboes) and continuo, {HG 27, HHA IV/9, CB 1/5, c. 1695-1705}
HWV 385
Sonata in D major, for oboe, violin (or 2 oboes) and continuo, {HG 27, HHA IV/9, CB 1/6, c. 1695-1705}
HWV 386a
Sonata in C minor, for 2 violins, oboes or flutes and continuo, Op. 2 No. 1a, {HG 27/1a, HHA IV/10/1 (supplement), A47-48, CB
68/1}
HWV 386b
Sonata in B minor, for violin, flute and continuo, Op. 2 No. 1b, {HG 27/1b, HHA IV/10/1, A47-48, CB 68/1a}
HWV 387
Sonata in G minor, for 2 violins, oboes or flutes and continuo, Op. 2 No. 2, {HG 27/2, HHA IV/10/1, A47-48, CB 68/2}
HWV 388
Sonata in B flat major, for 2 violins, oboes or flutes and continuo, Op. 2 No. 3, {HG 27/4, HHA IV/10/1, A47-48, CB 68/3}
HWV 389
Sonata in F major, for 2 violins, oboes or flutes and continuo, Op. 2 No. 4, {HG 27/5, HHA IV/10/1, A47-48, CB 68/5}
HWV 390a
Sonata in G minor, for 2 violins, oboes or flutes and continuo, Op. 2 No. 5a, {HG 27/6, HHA IV/10/1, A47-48, CB 68/6}
HWV 390b
Sonata in G minor, for 2 violins, oboes or flutes and continuo, Op. 2 No. 5b, {HG 48/6, A47-48}
HWV 391
Sonata in G minor, for 2 violins, oboes or flutes and continuo, Op. 2 No. 6, {HG 27/7, HHA IV/10/1, A47-48, CB 68/7}
HWV 392
Sonata in F major, for 2 violins and continuo, {HG 27 (op. 2 No. III), HHA IV/10/1, A47-48, CB 68/4}
HWV 393
Sonata in G minor, for 2 violins and continuo, (authenticity uncertain), {HG 27 (op. 2 No. VIII), HHA IV/10/1, A47-48, CB 68/8}
HWV 394
Sonata in E major, for 2 violins and continuo, (authenticity uncertain), {HG 27 (op. 2 No. IX), HHA IV/10/1, A47-48, CB 68/9}
HWV 395
Sonata in E minor, for two German flutes and continuo, {HHA IV/19, CB 159}
HWV 396
Sonata in A major, for 2 violins or flutes and continuo, Op. 5 No. 1, {HG 27, HHA IV/10/2, A48-49, CB 119/1}
HWV 397
Sonata in D major, for 2 violins or flutes and continuo, Op. 5 No. 2, {HG 27, HHA IV/10/2, A48-49, CB 119/2}
HWV 398
Sonata in E minor, for 2 violins or flutes and continuo, Op. 5 No. 3, {HG 27, HHA IV/10/2, A48-49, CB 119/3}
HWV 399
Sonata in G major, for 2 violins or flutes and continuo, Op. 5 No. 4, {HG 27, HHA IV/10/2, A48-49, CB 119/4}
HWV 400
Sonata in G minor, for 2 violins or flutes and continuo, Op. 5 No. 5, {HG 27, HHA IV/10/2, A48-49, CB 119/5}
HWV 401
Sonata in F major, for 2 violins or flutes and continuo, Op. 5 No. 6, {HG 27, HHA IV/10/2, A48-49, CB 119/6}
HWV 402
Sonata in B flat major, for 2 violins or flutes and continuo, Op. 5 No. 7, {HG 27, HHA IV/10/2, A48-49, CB 119/7}
HWV 403
Sonata in C major for 2 instruments and continuo, {HHA I/13}
HWV 404
Sonata in G minor, (Oboe or violin and continuo), {HHA IV/15}
HWV 405
Sonata in F major, (2 flutes and continuo), {HHA IV/19}

HWV 406
Adagio-Allegro in A major for violin solo and other intruments, {HHA IV/19}
HWV 407
Allegro in G major for violin solo, {HHA IV/19}
HWV 408
Allegro in C minor for violin and basso continuo, {HHA IV/19}
HWV 409
Andante in D minor for recorder and basso continuo (2nd movement of 2nd 'Fitzwilliam' Sonata for treble recorder and cembalo with
violoncello or viola da gamba ad lib.), {HHA IV/18, CB 156/2(2)}
HWV 410
Aria in F major, No. 1 of 2 arias for 2 oboes, 2 horns and bassoon, {HHA IV/19, CB 160/1}
HWV 411
Aria in F major, No. 2 of 2 arias for 2 oboes, 2 horns and bassoon, {HHA IV/19, CB 160/2}
HWV 412
Andante in A minor for violin and basso continuo, {HHA IV/19}
HWV 413
Gigue in B flat major, for strings and continuo, {HHA IV/19}
HWV 414
Marche for the Fife in C major, {HHA IV/19}
HWV 415
March for the Fife in D major, {HHA IV/19}
HWV 416
March allegro in D major (Dragoon's March) for wind {HHA IV/19}
HWV 417a,b
La Marche in D major for wind, {HHA IV/19}
HWV 418
March in G major for wind, {HHA IV/19}
HWV 419
6 Marches for single intruments (flute, oboe or violin) and basso continuo, {HHA IV/19}
HWV 420
Minuet in D major for violin and basso continuo, {HHA IV/19}
HWV 421
Minuet in D major for violin and basso continuo, {HHA IV/19}
HWV 422
Minuet in G major for wind, {HHA IV/19}
HWV 423
Minuet in G major for wind, {HHA IV/19}
HWV 424
Overture in D major , for 2 clarinets and corni di caccia, {HHA IV/15, CB 127}
HWV 425
Aire (Sarabande) in E major for violin and continuo, {HHA IV/19}

7. Keyboard Music

7.a Suites and Overtures
 
HWV 426
No. 1. in A major, {HG 2, HHA IV/1, A128-130, CB 60/1}, from 8 Suites de Pièces pour le Clavecin (1st set)
HWV 427
No. 2. in F major, {HG 2, HHA IV/1, A128-130, CB 60/2}, from 8 Suites de Pièces pour le Clavecin (1st set)
HWV 428
No. 3. in D minor, {HG 2, HHA IV/1, A128-130, CB 60/3}, from 8 Suites de Pièces pour le Clavecin (1st set)
HWV 429
No. 4. in E minor, {HG 2, HHA IV/1, A128-130, CB 60/4}, from 8 Suites de Pièces pour le Clavecin (1st set)
HWV 430
No. 5. in E major (The Harmonious Blacksmith), {HG 2, HHA IV/1, A128-130, CB 60/5}, from 8 Suites de Pièces pour le Clavecin (1st set)
HWV 431
No. 6. in F sharp minor, {HG 2, HHA IV/1, A128-130, CB 60/6}, from 8 Suites de Pièces pour le Clavecin (1st set)
HWV 432
No. 7. in G minor, {HG 2, HHA IV/1, A128-130, CB 60/7}, from 8 Suites de Pièces pour le Clavecin (1st set)
HWV 433
No. 8. in F minor, {HG 2, HHA IV/1, A128-130, CB 60/8}, from 8 Suites de Pièces pour le Clavecin (1st set)
HWV 434
No. 1. in B flat major, {HG 2, HHA IV/5, A128-130, CB 60/9} (3rd movement - Aria con Variatzioni - the theme that Brahms used), 9 Suites de Pièces pour le Clavecin (2nd set)
HWV 435
No. 2. in G major (Chaconne in G major with 21 variations, 4th setting), {HG 2, HHA IV/5, A128-130, CB 60/10}, 9 Suites de Pièces pour le Clavecin (2nd set)
HWV 436
No. 3. in D minor, {HG 2, HHA IV/5, A128-130, CB 60/11}, 9 Suites de Pièces pour le Clavecin (2nd set)
HWV 437
No. 4. in D minor, {HG 2, HHA IV/5, A128-130, CB 60/12}, 9 Suites de Pièces pour le Clavecin (2nd set)
HWV 438
No. 5. in E minor, {HG 2, HHA IV/5, A128-130, CB 60/13}, 9 Suites de Pièces pour le Clavecin (2nd set)
HWV 439
No. 6. in G minor, {HG 2, HHA IV/5, A128-130, CB 60/14}, 9 Suites de Pièces pour le Clavecin (2nd set)
HWV 440
No. 7. in B flat major, {HG 2, HHA IV/5, A128-130, CB 60/15}, 9 Suites de Pièces pour le Clavecin (2nd set)
HWV 441
No. 8. in G major, {HG 2, HHA IV/5, A128-130, CB 60/16}, 9 Suites de Pièces pour le Clavecin (2nd set)
HWV 442
No. 9. in G major (Prélude et Chaconne avec LXII Variations), {HG 2, HHA IV/5, A128-130, CB 60/17}, 9 Suites de Pièces pour le Clavecin (2nd set)
HWV 443
Suite in C major, {HHA IV/17, CB 11/1, Halle/Hamburg(?), c. 1700-1703}
HWV 444
Partita in C minor, {HHA IV/17, CB 11/3, Hamburg(?), c. 1705-1706}
HWV 445
Suite in C minor, {HHA IV/17, CB 175/41, 175/40 and 175/39}
HWV 446
Suite àdeux clavecins in C minor (fragment), {HG 48, HHA IV/19, CB 171}
HWV 447
Suite in D minor, {HG 2, HHA IV/6/6, CB 60/18}
HWV 448
Suite in D minor, {HG 48, HHA IV/17/11, CB 173}
HWV 449
Suite in D minor, {HG 48, HHA IV/17/12, CB 172}
HWV 450
Partita in G major, {HHA IV/17/2, CB 11/2, Halle/Hamburg(?), c. 1700-1705}
HWV 451
Suite in G minor, {HHA IV/19}
HWV 452
Suite in G minor, {HHA IV/6/7, CB 60/19}
HWV 453
Suite in G minor, {HHA IV/17/5-7, CB 175/81, 175/80, 175/79, 175/78, 175/77}
HWV 454
Partita in A major, {HG 48, HHA IV/6/20, CB 170}
HWV 455
Suite in B flat major, {CB 175/60, 175/59, 175/58, 175/57 = 175/9}
HWV 456/1
Overture in D minor to Il Pastor Fido (HWV 8a) (1st setting), {HG 48, HHA IV/19}, (From 5 Keyboard settings of opera overtures)
HWV 456/2
Overture in C minor to Amadigi (HWV 11) {HHA IV/19}, (From 5 Keyboard settings of opera overtures)
HWV 456/3
Overture in Flavio in G minor(HWV 16) {HHA IV/19}, (From 5 Keyboard settings of opera overtures)
HWV 456/4
Overture in Rodelinda in C major(HWV 19) {HHA IV/19}, (From 5 Keyboard settings of opera overtures)
HWV 456/5
Overture in Riccardi Primo in D major(HWV 23) {HHA IV/19}, (From 5 Keyboard settings of opera overtures)

HWV 457
Air in C major, {HHA IV/19}
HWV 458
Air in C minor, {HHA IV/17 (Appendix 1)}
HWV 459
Aria in C minor, {HHA IV/17 (Appendix 3), CB 175/69}
HWV 460
Air (March) in D major, {HHA IV/19}
HWV 461
Air (Hornpipe) in D minor, {HHA IV/19}
HWV 462
(Air en) Menuet in D minor, {HHA IV/19, CB 156/2(3), 175/25}
HWV 463
Air in F major, {HHA IV/19}
HWV 464
Air in F major, {HHA IV/13 (Appendix S 97)}
HWV 465
Air and 2 Doubles in F major, {HHA IV/17/32, CB 175/28}
HWV 466
Air for two manual harpsichord in G minor, {HHA IV/17/29, CB 175/45}
HWV 467
Air in G minor, {HHA IV/17/19, CB 175/56}
HWV 468
Air in A major, {HHA IV/16/16}
HWV 469
Air in B flat major
HWV 470
Air for two manual harpsichord in B flat major, {HHA IV/17/30, CB 175/44}
HWV 471
Air in B flat major, {HHA IV/17/24, CB 175/42}
HWV 472
Allegro in C major (Prelude), {HHA IV/17/9, CB 175/70}
HWV 473
Allegro in C major for a musical clock, {HHA IV/19}
HWV 474
Air in G major (from Acis and Galatea, HWV 49a), {HHA IV/19}
HWV 475
Allegro in D minor, {HHA IV/17/33, CB 175/27}
HWV 476
Allemande in F major, {HHA IV/6/10}
HWV 477
Allemande in A major, {HHA IV/6/9}
HWV 478
Allemande in A minor, {HHA IV/17/14, CB 175/38}
HWV 479
Allemande in B minor, {HHA IV/5 (Appendix 3)}
HWV 480
Choral "Jesu meine Freude" in G minor, {HHA IV/19}
HWV 481
Capriccio pour le Clavecin in F major, {HG 2, HHA IV/6/3, CB 60/25}
HWV 482/1
Aria "Molto Voglio" from Rinaldo (HWV 7a, No. 10), {HHA IV/19}, (From 5 Authentic Keyboard settings of Opera Arias)
HWV 482/2
Aria "Sventurato, godi, o core abbandonato" from Floridante (HWV 14 No. 8), {HHA IV/19}, (From 5 Authentic Keyboard settings of Opera Arias)
HWV 482/3
Aria "Ombra cara di mia sposa" from Radamisto (HWV 12a No. 13), {HHA IV/19}, (From 5 Authentic Keyboard settings of Opera Arias)
HWV 482/4
Aria "Pupille sdegnose! sareste pietose" from Muzio Scevola (HWV 13 Act III No. 3), {HHA IV/19}, (From 5 Authentic Keyboard settings of Opera Arias)
HWV 482/5
Aria "Come, se ti vedrò" from Muzio Scevola (HWV 13 Act III No. 9), {HHA IV/19}, (From 5 Authentic Keyboard settings of Opera Arias)
HWV 483
Capriccio in G minor, {HG 2, HHA IV/6/8, CB 60/20}
HWV 484
Chaconne in C major with 49 Variations, {HHA IV/17/1(6), CB 175/67}
HWV 485
Chaconne for two manual harpsichord in F major, {HG 2, HHA IV/17/10, CB 60/22, 175/43}
HWV 486
Chaconne in G minor, {HHA IV/17/16, CB 175/36}
HWV 487
Concerto in G major, {HHA IV/17/23, CB 175/48, 175/47}
HWV 488
Allegro [Courante] in F major, {HG 2 (Courante e due Menuetti, S. 142), HHA IV/5, CB 60/24/1}
HWV 489
Courante in B minor, {HHA IV/17/34}
HWV 490
Fantaisie pour le Clavecin in C major, {HG 2, HHA IV/6/5, CB 60/21}
HWV 491
Gavotte in G major, {HHA IV/19, CB 175/76}
HWV 492
Gigue in F major, {HHA IV/6/11}
HWV 493a
Gigue in G minor, {HHA IV/5/6, CB 175/63}
HWV 493b
Gigue in G minor, {HHA IV/5/6, CB 175/61}
HWV 494
Impertinence [Bourée] in G minor, {HHA IV/17/31, CB 175/30}
HWV 495a,b
Lesson [Gigue] in D minor, {HG 48, A131? (S 191-193)}
HWV 496
Lesson in A minor, {HG 2, A131?, HHA IV/6/19}
HWV 497
Menuet in C major (from HWV 19, Rodelinda, Overture), {HHA IV/19}
HWV 498
Menuet in C major, {HHA IV/19}
HWV 499
Menuet in C minor (from HWV 18, Tamerlano, Overture)
HWV 500
Menuet in D major, {HHA IV/19, CB 175/51}
HWV 501
Menuet in D major, {HHA IV/19}
HWV 502
Menuet in D major (from HWV 3, Florindo), {HHA IV/19, CB 175/24}
HWV 503
Menuet in D major
HWV 504
Menuet in D major (from HWV 12a, Radamisto), {HHA IV/19, CB 175/23}
HWV 505
Menuet in D major, {HHA IV/19}
HWV 506
Menuet in D major, {HHA IV/19}
HWV 507a,b
Menuet in D minor/E minor, {HHA IV/19}
HWV 508a,b
Menuet in D minor/E minor (from HWV 16, Flavio)
HWV 509
Menuet in F major, {HHA IV/19}
HWV 510
Menuet in F major (from HWV 14, Floridante)
HWV 511
Menuet in F major, {HHA IV/19 (in D major), CB 175/22}
HWV 512
Menuet in F major (from HWV 24, Siroe, No. 30), {CB 175/21}
HWV 513a,b
Menuet in F major/G major, {HHA IV/19}
HWV 514a
Menuet in F major, {HHA IV/19, CB 175/20}
HWV 514b
Menuet in G major, {HHA IV/19, CB 175/18}
HWV 515a
Menuet in F major, {HHA IV/19}
HWV 515b
Menuet in G major, {HG 48 (S 140), HHA IV/19, CB 169/2}
HWV 516a
Menuet in F major, {HHA IV/19}
HWV 516b
Menuet in F major, {HHA IV/19, CB 175/73}
HWV 516c
Menuet in F major, {HG 2 (S 143), HHA IV/19, CB 60/24/3}
HWV 517
Menuet in F major, {HHA IV/19, CB 175/19}
HWV 518
Menuet in F major, {HHA IV/19, CB 175/68}
HWV 519
Menuet in F major, {HG 2 (S 143) , HHA IV/19, CB 60/24/2}
HWV 520
Menuet in F major, {HHA IV/19}
HWV 521
Menuet in G major, {HHA IV/19}
HWV 522
Menuet in G major, {HHA IV/19}
HWV 523
Menuet in G major, {HHA IV/19}
HWV 524
Menuet in G major, {HHA IV/19}
HWV 525
Menuet in G major, {HHA IV/19}
HWV 526
Menuet in G major, {HHA IV/19}
HWV 527
Menuet in G major, {HHA IV/19}
HWV 528
Menuet in G major, {HHA IV/19}
HWV 529
Menuet in G major, {HHA IV/19}
HWV 530
Menuet in G major, {HHA IV/19}
HWV 531
Menuet in G major, {HHA IV/19, CB 175/53}
HWV 532
Menuet in G minor, {HHA IV/19}
HWV 533
Menuet in G minor, {HHA IV/19}
HWV 534a,b
Menuet in G minor, {HHA IV/19}
HWV 535a,b
Menuet in G minor (The Princess Sophia's favourite Minuet), {HHA IV/19, CB 175/52}
HWV 536
Menuet in G minor, {HHA IV/19, CB 175/17}
HWV 537a,b
Menuet in G minor, {HHA IV/19}
HWV 538a,b
Menuet in G minor, {HHA IV/19}
HWV 539a,b
Menuet in G minor, {HHA IV/19}
HWV 540a
Menuet in G minor, {HHA IV/19}
HWV 540b
Menuet in G minor, {HHA IV/19, CB 175/15}
HWV 541
Menuet in G minor, {HHA IV/19}
HWV 542
Menuet in G minor, {HHA IV/19, CB 175/71}
HWV 543
Menuet in G minor, {HHA IV/19}
HWV 544
Menuet in A major, {HHA IV/19, CB 175/12}
HWV 545
Menuet in A major, {HHA IV/19, CB 175/11}
HWV 546
Menuet in A major, {HHA IV/19}
HWV 547
Menuet in A minor, {HHA IV/19, CB 175/14}
HWV 548
Menuet in A minor, {HHA IV/19, CB 175/13}
HWV 549
Menuet in A minor, {HHA IV/19, CB 175/74}
HWV 550
Menuet in B flat major (from HWV 3, Florindo), {HHA IV/19, CB 175/9, 175/57}
HWV 551
Menuet in B flat major, {HHA IV/19, CB 175/8}
HWV 552
Menuet in B flat major, {HHA IV/19}
HWV 553
Menuet in B flat major, {HHA IV/19, CB 175/7}
HWV 554
Menuet in B flat major, {HHA IV/19, CB 175/6}
HWV 555a,b
Menuet in B flat major, {HHA IV/19}
HWV 556
Menuet in B flat major, {HHA IV/19}
HWV 557
Menuet in B flat major, {HG 21 (S 44), HHA IV/11 (S 78)}
HWV 558
Menuet in B minor (from HWV 28, Poro, Nos. 31/32) , {CB 175/10}
HWV 559
Passepied in C major, {HHA IV/19, CB 175/5, 175/23?}
HWV 560
Passepied in A major, {HHA IV/19, CB 175/75}
HWV 561
Prélude in D minor [= HWV 437(1)], {HG 48 (S 149)}
HWV 562
Prélude (Harpeggio) in D minor, {HHA IV/6/12}
HWV 563
Prélude in D minor, {HHA IV/17/3}
HWV 564
Prélude in D minor, {HHA IV/17/8, CB 175/72}
HWV 565
Prélude in D minor, {CB 175/32}
HWV 566
Prélude in E major, {HHA IV/17/28}
HWV 567
Preludium in F major, {HHA IV/17/25, CB 175/35}
HWV 568
Preludium in F minor, {HHA IV/17/26, CB 175/34}
HWV 569
Preludium (Arpeggio del Cook) in F minor (authenticity uncertain)
HWV 570
Prélude (Harpeggio) in F sharp minor, {HHA IV/6/15}
HWV 571
Prélude e Capriccio (Suite) in G major, {HG 48, HHA IV/17/4, CB 174}
HWV 572
Prélude in G minor, {HHA IV/6/21}
HWV 573
Prélude (Harpeggio) in G minor, {HHA IV/17/27, CB 175/62}
HWV 574
Preludio ed Allegro (Sonata) pour le Clavecin in G minor, {HG 2, HHA IV/6/4, CB 60/26}
HWV 575
Prélude (Harpeggio) in A minor, {HG 2 (S 140 connected with HWV 496) HHA IV/6/18, CB 60/23}
HWV 576
Preludio ed Allegro in A minor, {HHA IV/17/18, CB 175/64}
HWV 577
Sonata (Fantasie) pour le Clavecin in C major, {HG 2, HHA IV/6/2, CB 60/28}
HWV 578
Sonata con Trio e Gavotta in C major for a musical clock, {HG 2, HHA IV/6/17, CB 60/29}
HWV 579
Sonata for a harpsichord with double keys in G major, {HHA IV/6/22, CB 175/46}
HWV 580
Sonata in G minor, {HHA IV/17/22, CB 175/49}
HWV 581
Sonatina in D minor, {HG 48, HHA IV/17/13, CB 175/1}
HWV 582
Sonatina (Fuga) in G major, {HHA IV/6/13}
HWV 583
Sonatina in G minor, {HHA IV/17/21, CB 175/54}
HWV 584
Sonatina in A minor, {HHA IV/17 (Appendix 2), CB 175/37}
HWV 585
Sonatina in B flat major, {HG 2, HHA IV/6/14, CB 60/27}
HWV 586
Toccata in G minor, {HHA IV/17/20, CB 175/55}
HWV 587
Air in F major, {HHA IV/19, CB 168/8}, From Pieces for Musical Clock Set 1: Tunes for Clay's Musical Clock
HWV 588
Voluntary in C major, {HHA IV/19}, From Pieces for Musical Clock Set 1: Tunes for Clay's Musical Clock
HWV 589
Gigue in C major, {HHA IV/19, CB 168/9}, From Pieces for Musical Clock Set 1: Tunes for Clay's Musical Clock
HWV 590
Aria Dell'opera Sosarmes in C major, {HHA IV/19}, From Pieces for Musical Clock Set 1: Tunes for Clay's Musical Clock
HWV 591
Aria in F Major, {HHA IV/19, CB 168/10}, From Pieces for Musical Clock Set 1: Tunes for Clay's Musical Clock
HWV 592
Aria Dell'opera Ottone in C major, {HHA IV/19}, From Pieces for Musical Clock Set 1: Tunes for Clay's Musical Clock
HWV 593
Aria Opera Ariadne in C major, {HHA IV/19}, From Pieces for Musical Clock Set 1: Tunes for Clay's Musical Clock
HWV 594
Air in G major, {HHA IV/19}, From Pieces for Musical Clock Set 1: Tunes for Clay's Musical Clock
HWV 595
Aria Dell'opera Ottone in C major, {HHA IV/19}, From Pieces for Musical Clock Set 1: Tunes for Clay's Musical Clock
HWV 596
Aria Dell'opera Sosarmes in C major, {HHA IV/19}, From Pieces for Musical Clock Set 1: Tunes for Clay's Musical Clock
HWV 597
Aria in C Major, {HHA IV/19, CB 168/11}, From Pieces for Musical Clock Set 1: Tunes for Clay's Musical Clock
HWV 598
Sonata in C major, {HHA IV/19, CB 168/1}, Pieces for Musical Clock Set 2: Sonata by Mr Handel for a Musical Clock
HWV 599
Gigue in C major, {HHA IV/19, CB 168/2}, Pieces for Musical Clock Set 2: Sonata by Mr Handel for a Musical Clock
HWV 600
Voluntary or a Flight of Angels in C major, {HHA IV/19, CB 168/3}, Pieces for Musical Clock Set 2: Sonata by Mr Handel for a Musical Clock
HWV 601
Air in C major, {HHA IV/19, CB 168/4}, Pieces for Musical Clock Set 2: Sonata by Mr Handel for a Musical Clock
HWV 602
Minuet in A minor, {HHA IV/19, CB 168/5}, Pieces for Musical Clock Set 2: Sonata by Mr Handel for a Musical Clock
HWV 603
Minuet in A minor, {HHA IV/19, CB 168/6}, Pieces for Musical Clock Set 2: Sonata by Mr Handel for a Musical Clock
HWV 604
Air in A minor, {HHA IV/19, CB 168/7}, Pieces for Musical Clock Set 2: Sonata by Mr Handel for a Musical Clock
HWV 605
Fugue No. 1 in G minor, {HG 2, HHA IV/6, A131, CB 63/1}, for the Organ or Harpsichord
HWV 606
Fugue No. 2 in G major, {HG 2, HHA IV/6, A131, CB 63/2}, for the Organ or Harpsichord
HWV 607
Fugue No. 3 in B flat major, {HG 2, HHA IV/6, A131, CB 63/3}, for the Organ or Harpsichord
HWV 608
Fugue No. 4 in B minor, {HG 2, HHA IV/6, A131, CB 63/4}, for the Organ or Harpsichord
HWV 609
Fugue No. 5 in A minor, {HG 2, HHA IV/6, A131, CB 63/5}, for the Organ or Harpsichord
HWV 610
Fugue No. 6 in C minor, {HG 2, HHA IV/6, A131, CB 63/6}, for the Organ or Harpsichord
HWV 611
Fugue in F major, {HHA IV/17/15, CB 175/33}, for the Organ or Harpsichord
HWV 612
Fugue in E major, {HHA IV/19}, for the Organ or Harpsichord

8. Works: Appendices

8.a Pastiches and Opera Fragments

A1
L'Epidia, ovvero Li rivali generosi, dramma per musica in tre atti (Pasticcio)
A2
Genserico/Olibrio, opera fragment- only part of Act I drafted. Music mostly used in Siroe (HWV 24) and Tolomeo (HWV 25)
A3
Ormisda, dramma per musica in tre atti (Pasticcio), {CB ?21/12}
A4
Venceslao, dramma per musica in tre atti (pasticcio), {CB ?21/14}
A5
Titus l'Emereur (Tito), opera fragment
A6
Lucio Papirio, dramma per musica in tre atti by Geminiano Giacomelli, {CB ?21/8}
A7
Catone, dramma per musica in tre atti (pasticcio) - mostly by Leo, {CB ?21/4}
A8
Semiramide riconsciuta, dramma per musica in tre atti (pasticcio) - mostly by Vinci, {CB ?21/13} (Smith says Vivaldi)
A9
Cajo Fabricio, dramma per musica in tre atti (pasticcio) - mostly by Hasse, {CB ?21/3}
A10
Arbace, dramma per musica in tre atti (pasticcio) - mostly by Vinci, {CB ?21/2}
A11
Oreste (pasticio, music by Handel incl. new recits and ballet music), {HG 48, (S 102 (ov.)), CB ?21/11}
A12
Didone abbandonata, dramma per musica in tre atti (pasticcio) - mostly by Vinci, {CB ?21/5}
A13
Alessandro Severo, dramma per musica in tre atti (pasticcio, music by Handel, including new ov. and recits) {HG 48, (S 104 (ov.)), CB ?21/1}
A14
Jupiter in Argos, dramatic composition in three acts, (pasticcio, old and new music by Handel), {CB 121}
A15
A General Collection of Minuets made for the Balls at Court ... for the German Flute or Violin, 1729, {CB ?24/3}

8.b Works in Craig Bell's Catalogue but not in the Händel-Handbuch

CB 2
3 German Lieder, date of composition unknown
CB 4
Trio in F major for Oboe, Bassoon, Bass and Cembalo, c. 1703-1706
CB 6
Trio in G minor for Violin, Viola da Gamba and Cembalo, date of composition unknown
CB 7
Sonata in C major for Viola da Gamba and Cembalo, date of composition unknown
CB 46
Concerto in D major, for horns, strings and 2 claviers, {c. 1713, HHA IV/12}
CB 51
Concerto in E flat major, for solo oboe, strings and continuo - Is this a spurious concerto by Woodcock on p130, New Grove?
CB 158
Sonata in D major, for flute, violoncello and cembalo
CB 161
Pastoraleet Thème avec variations pour harpe ou piano
CB 175
81 Miscellaneous harpsichord pieces

8.c Works in Craig Bell attributed to Handel but of doubtful authenticity

CB ?1
Church Cantata: Ach Herr, mich armen Sünder
CB ?2
Church Cantata for 4 Voices and Instruments, Lobe den Herrn, meine Seele
CB ?3
6 Fughettas (Fugues faciles) for Harpsichord
CB ?4
Gloria in C major, for 5 voices
CB ?6
Magificat in A minor
CB ?7
St. John Passion
CB ?8
Te Deum in D major
CB ?9
Concerto àQuattro in D minor, for flute, violin, violoncello obbligato and continuo
CB ?10
Concerto àQuattro in D major, for 2 violins, violoncello obbligato and continuo
CB ?11
Trio in g minor, for oboe, violino e cembalo
CB ?12
3 sonate a tre (2 violins and continuo)
CB ?13
Sonata in D major, for violoncello and continuo
CB ?14
Sonata in G major, for violin (and continuo?)
CB ?15
3 Sonatas for violoncello and piano
CB ?16
Viola concerto, spurious
CB ?18
Sonata in g minor, for 2 violins, bass and organ
CB ?19
7 Italian chamber cantatas
CB ?20
Sonata in D major, for flute and continuo
CB ?21
Operas containing small or negligible contributions by Handel
CB ?22
A Collection of Choice English Songs. Set to Musick by Mr Handel
CB ?23
3 English Cantatas, for soprano, violin, violoncello and basso continuo
CB ?24
Minuets and marches
CB ?25
Some Golden Rules for the attaining to play Through Bass
CB ?26
Forest Music?
CB ?27
Stücke für Clavicembalo.
CB ?28
Zwolf Fantasien und Vier Stücke für Cembalo
CB ?29
Zwey Fugen für Zwey Personen an Einem Clavier

8.c Additional works mentioned in the New Grove Dictionary of Music and Musicians Opera

Elpidia, pasticcio - mainly from L. Vinci
 
Anthem
Behold, now is the acceptable time - spurious. Arrangement of solo, The Righteous Lord, from Chandos Anthem 2. In the Lord put I my trust, (HWV 247)
Doubtful and spurious cantatas
Dalle tenebre orrende (Hasse?)
Lilla, vedi quel colle
Selve cavene e monti (D. Scarlatti?)
Usignuol che tra le fronde
Spurious Duet with continuo
Cara sposa, io ti lascio (Steffani?)
 
English Songs
Love's a dear deceitful jewel - to a water music minuet
The birds no more shall sing - from Acis and Galatea (HWV 8)
 
Italian Songs - probably authentic
Son d'Egitto
Aure, piùnon bacciate
Porta la braccia al seno
Gran guerrier di tua virtù
Quanto dolce, quanto cari
Non posso dir di più
 
French Songs
Quand on suit l'amoureuse loix, chanson
Lorsque deux coeurs d'un tendre feu - probably spurious
Par les charmes d'un doux mensonge - spurious
 
German Song
Dank sei dir, Herr - spurious
Harpsichord Concerto
In G major, c 1739; final rit. and orch bass added to keyboard chaconne
 
Suites and Overtures
Sinfonia, B flat for 2 violins and basso continuo
Overture, D in 3 movements. 2nd and 3rd to follow sinfonia in Ottone (HWV 15)?
Overture, F {HG 48, 84} - mvts used in Il Parnasso (HWV 73) and Il Pastor Fido (HWV 8)
Sonata [Concerto] in G minor for oboe, 2 violins and basso continuo - last mvt. version of keybd. fugue
 
Other Orchestral
Minuet in D major, for His Majesty's Birth Day (from ?24 No. 6) Minuet in D major, for the Prince of Wales's Birth Day (from ?24 No. 6)
Coro and [Bourée] in B flat major, Allemande and Rigadon in G minor, Allemande in G major, Bourée and [Minuet] in G minor and Allemande in G major - dances from Daphne (HWV 4) (see 12)
Minuet and Coro in B flat major, Sarabande in F major and Gavotte in G minor - dances from Florindo (HWV 3) (see 12)
Aria [Hornpipe] in C minor, strings and basso continuo
Hornpipe in G major, 'Hendal's hornpipe', authenticity uncertain
 
Spurious Orchestral
Concerto in F major for violin, in 1st edn. of Op. 3, No. 4, replaced later{ HHA iv/11, 105}
Concerto in D major, for 2 violins. With 2 horns, 2 violins and basso continuo {HHA iv/12, 131}
Concerto G minor, for recorder, 2 oboes, bassoon, strings and basso continuo
Concerto in D major, for flute, strings and basso continuo - arrangement of 4 arias from Flavio (HWV 16)
Suite in D major, for trumpet, 2 oboes, 2 bassoons, strings and basso continuo
 
Music for Wind Ensemble
March in F major, for 2 oboes, 2 horns and bassoon - 'March from Ptolemy (Tolomeo, HWV 25)' In ?24/3, No. 3 {HG xlviii, 143}
Marches in G major (2), F major and C major - In ?24/3, Nos. 5, 6, 9 and 11
March in D major - Movements 6 and 7 of Op. 5 No. 2 (see 119)
Minuet in G major, 2 oboes, 2 horns, bassoon - version in fireworks
Minuet in G major, 2 oboes, 2 horns, bassoon
March in G major, 2 oboes, 2 horns, bassoon - version in Judas Maccabaeus (HWV 63)
March in D major, trumpet, 2 oboes, bassoon 'Dragoon's March'
March in D major, 2 ? oboes, 2 ?horns, bassoon - related to chorus in Alexander Balus (HWV 65)
Marches for the Fife in D and C major - versions of chorus and introduction to Joshua (HWV 64)
Rigadon and Bourée in G minor
March in G major
March in C major - 'Handel's March'
March in D major - 'Grenadier's March'
Duo in F major, for 2 recorders
 
Trio Sonatas
Sonata in F major for 2 violins and basso continuo
Sonata in C major for 2 violins and basso continuo - version of overture to Saul {HHA critical commentary i/13 pp107-13, pp161-3}
Solo Sonatas (with basso continuo)
Sonata in G major for violin
Sonata in G minor for viola da gamba (adaption of Op. 1/6, see 67)
Sonata in A major for violin - ? sketch for orch. movt.
Additional works mentioned in Deutsch's Handel: A Documetary Biography
 
Opera
Roxana (Rossane) or Alexander in India, a pasticcio arranged, possibly by Lampagnani, from Alessandro, HWV 21.
Le triomphe de l'amour et de l'hymen, a pasticcio with arias by Handel and others, the orchestral music chiefly by Jean Baptist Morin.
Syrinx, or the Waternymph transformed into a Reed, a pasticcio with bass arias by Handel and others by Graun and Ohl
L'Andromaca, a pasticcio opera with music by Abos, Bernaschoni, Handel, Hasse, Jomelli and Wagenseil

- Karadar Bertoldi Ensemble - Studio Informatico Anesin -