The Belgian violinist and composer, Henri Vieuxtemps, made his first public appearance at the age of six.

He later studied with Charles de Bériot and moved with him from Brussels to Paris in 1829.

In 1833 he went on a concert tour to Germany where he met Schumann and L. Spohr.

He studied composition with Sechter in Vienna and later with Reicha in Paris.

Vieuxtemps wrote violin music for his own use on extended concert tours that took him to the major cities of Europe and, with the pianist Thalberg, to the United States of America.

In 1871 he accepted the post of violin professor at the Brussels Conservatoire, where his pupils included Eugène Ysaye, but he had to resign two years later when he became paralysed.

Vieuxtemps occupies an important position in the history of the violin concerto, largely fulfilling his aim of infusing the concerto as Viotti had left it with music that made use of the newly developed technical possibilities of the violin. This achievement is demonstrated in his seven Violin Concertos.

He also wrote smaller works for solo violin and orchestra, two Cello Concertos and a Duo brillant for violin, cello, piano and orchestra.

Vieuxtemps wrote a number of pieces for violin and piano. These include operatic fantasias and variations on other well known melodies in a series of twelve Duos concertantes.

These and other similar compositions provided topical material for concert tours, including a Souvenir d'Amérique based on Yankee Doodle and a Souvenir de Russie, as well as a Caprice on 16th and 17th century English airs.