In his two symphonies Dutilleux explores novel combinations of sound, in the first
contrasting groups and single instruments and in the second dividing the orchestra into a
smaller chamber group, separate from the larger body. His
Métaboles of 1964 allows a gradual emergence of thematic material, as, in a measure, does
Tout un monde lointain . . . , a work for cello and orchestra written between 1968 and
1970.
Similar qualities are to be heard in the chamber music of Dutilleux,
with its idiomatic use of wind instruments, and in the string quartet of 1976, Thus the
Night.
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![[ Henri Dutilleux Image]](../Dizionario/images/dutilleux.gif)
