Stringquartets 

S c h e d u l e:
_________________
Opus
nr.
Key
Hoboken nr.
Year
Specifics
_________________

1 (Divertimenti)
0
E flat
II:6
1762
doesn't appear in all editions 

1
1
B flat
III:1
1762
'La Chasse'

1
2
E flat
III:2
1762
-

3
D
III:3
1762
-

4
G
III:4
1762
-

5
B flat
III:5
1762
variation of Symph. 107

1
6
C
III:6
1762
-

2 (Divertimenti)
1
7
A
III:7
1762-65
-

2
E
III:8
1762-65
-

3
E flat
III:9
1762-65
-
2
4
F
III:10
1762-65
-

5
D
III:11
1762-65
variation of Opus 2 nr. 6

2
6
B flat
III:12
-
-

3 (Stringquartets)
1
E
III:13
1777
maybe composed by R. Hofstetter

 (Stringquartets)
2
C
III:14
1777
maybe composed by R. Hofstetter

3 (Stringquartets)
3
G
III:15
1777
maybe composed by R. Hofstetter

3 (Stringquartets)
4
B flat
III:16
1777
maybe composed by R. Hofstetter

3 (Stringquartets)
5
F
III:17
1777
maybe composed by R. Hofstetter

3 (Stringquartets)
6
A
III:18
1777
maybe composed by R. Hofstetter

(Divertimenti)
1
C
III:19
1771
-

(Divertimenti)
2
E flat
III:20
1771
-

9 (Divertimenti)
3
G
III:21
1771
-

(Divertimenti)
4
d
III:22
1771
-

9 (Divertimenti)
5
B flat
III:23
1771
-

9 (Divertimenti)
6
A
III:24
1771
-

17 (Divertimenti)
1
E
III:25
1771-72
-

7 (Divertimenti)
2
F
III:26
1771-72
-

(Divertimenti)
3
E flat
III:27
1771-72
-

17 (Divertimenti)
4
c
III:28
1771-72
-

17 (Divertimenti)
5
G
III:29
1771-72
-

17 (Divertimenti)
6
D
III:30
1771-72

0 (Divertimenti)
1
E flat
III:31
1772-74
Sonnen Quartette

0 (Divertimenti)
2
C
III:32
1772-74
Sonnen Quartette

0 (Divertimenti)
3
g
III:33
1772-74
Sonnen Quartette

0 (Divertimenti)
4
D
III:34
1772-74
Sonnen Quartette

0 (Divertimenti)
5
f
III:35
1772-74
Sonnen Quartette

0 (Divertimenti)
6
A
II:36
1772-74
Sonnen Quartette

3 (Stringquartets)
1
b
III:37
1781-82
"Gli Scherzi/ Russian Quartets/Jungfernquartette"

3 (Stringquartets)
2
E flat
III:38
1781-82
(The Joke)

3 (Stringquartets)
3
C
III:39
1781-82
(The bird)

3 v (Stringquartets)
4
B flat
III:40
1781-82
-

33 (Stringquartets)
5
G
III:41
1781-82
(How do you do?)

3 (Stringquartets)
6
D
III:42
1781-82
-

42 (Stringquartet)
-
d
III:43
1785-86
-

0 (Stringquartets)
1
B flat
III:44
1787
"Prussian Quartets"

50 (Stringquartets)
2
C
III:45
1787
"Prussian Quartets"

50 (Stringquartets)
3
E flat
III:46
1787
"Prussian Quartets"

50 (Stringquartets)
4
f sharp
III:47
1787
"Prussian Quartets"

50 (Stringquartets)
5
F
III:48
1787
"Prussian Quartets"

50 (Stringquartets)
6
D
III:49
1787
"Prussian Quartets" (Der Frosch)

51 (Musica Instrumentale sopra la 7 ultime Parole del nostro Redentore in Croce)
-
-
III:50-56
-
The seven last words of Jesus Christ (related to Oratory)

54 (Stringquartets)
1
G
III:57
1788-89
Tost Quartette 1

54 (Stringquartets)
2
C
III:58
1788-89
Tost Quartette 1

54 (Stringquartets)
3
E
III:59
1788-89
Tost Quartette 1

55 (Stringquartets)
1
A
III:60
1788-90
Tost Quartette 2

55 (Stringquartets)
2
f
III:61
1788-90
Tost Quartette (Rasiermesser/ Razorblade)

55 (Stringquartets)
3
B
III:62
1788-90
Tost Quartette 2

64 (Stringquartets)
1
C
III:65
1790-91
Tost Quartette 3

64 (Stringquartets)
2
b
III:68
1790-91
Tost Quartette 3

64 (Stringquartets)
3
B flat
III:67
1790-91
Tost Quartette 3

64 (Stringquartets)
4
G
III:66
1790-91
Tost Quartette 3

64 (Stringquartets)
5
D
III:63
1790-91
Tost Quartette 3 (Lerchen Q.)

64 (Stringquartets)
6
E flat
III:64
1790-91
Tost Quartette 3

71 (Stringquartets)
1
B flat
III:69
1793-95
Apponyi Q./ Salomon Q.

71 (Stringquartets)
2
D
III:70
1793-95
Apponyi Q./ Salomon Q.

71 (Stringquartets)
3
E flat
III:71
1793-95
Apponyi Q./ Salomon Q.

74 (Stringquartets)
1
C
III:72
1793-95
Apponyi Q./ Salomon Q.

74 (Stringquartets)
2
F
III:73
1793-95
Apponyi Q./ Salomon Q.

74 (Stringquartets)
3
g
III:74
1793-95
Apponyi Q./ Salomon Q. (Rider)

76 (Stringquartets)
1
G
III:75
1797-99
Erdödy Q.

76 (Stringquartets)
2
d
III:76
1797-99
(Quinten Q.)

76 (Stringquartets)
3
C
III:77
1797-99
(Kaiser Q.)

76 (Stringquartets)
4
B flat
III:78
1797-99
(Sunrise Q.)

76 (Stringquartets)
5
D
III:79
1797-99
(Sunrise Q.)

76 (Stringquartets)
6
E flat
III:80
1797-99
(Sunrise Q.)

77 (stringquartets)
1
G
III:81
1799-1802
Lobkowitz Q.

77 (stringquartets)
2
F
III:82
1799-1802
Lobkowitz Q.

103 (stringquartet)
-
d
III:83
1803-06
-

Trio for string - instruments (for 2 violins and cello or bass) 

S c h e d u l e:
______________
Nr.
Key
Hoboken nr.
Year
Specifics
______________

2
F
V:2
1803
publ. Vienna

3
b
V:3
1767
also as a Piano Q.

4
E flat
V:4
1767
also as a Piano Q.

5
B
V:5
1765
-

6
E flat
V:6
1765
-

7
A
V:7
1765
-

8
B flat
V:8
1765
publ. 1926

9
E flat
V:9
-
lost

10
E flat
V:10
1768
publ. Paris

11
E flat
V:11
1765
publ. 1955

12
E
V:12
1767-68
-

13
B flat
V:13
1765
-

14
b
V:14
1765
-

15
D
V:15
1762
publ. Paris 1765, Amsterdam 1767

16
C
V:16
1766
publ. 1954 as "Eisenstadter trio 5"

17
E flat
V:17
1766
publ. 1932, also as a Piano Q.

18
B flat
V:18
1765
publ. Paris 1765, Amsterdam 1767

19
E
V:19
1765
maybe composed by M. Haydn

20
G
V:20
1766
publ. 1932, also as a Piano Q.

21
D
V:21
1765
publ. 1803

22
D
V:D3
publ. 1938, "Weinzierler trio 2"
-

23
F
V:F1
publ. 1931
-

24
G
V:G1
-
-

25
A
V:A2
-
-

26
A
V:A3
-
-

27-29
-
V:D1, B1, G3
-
publ. 1955

30
G
V:G4
-
-

Composition for baryton 

S c h e d u l e:
______________
Name
Key
Hoboken nr.
Year
Specifics
______________ 

Duet
G
XII:2
1764-1669
-

Duet
D
XII:3
1764-1669
-

Duet
G
XII:4
1764-1669
-

Duet
D
XII:5
1764-1669
-

Duet
G
XII:6
1764-1669
-

Sonata
D
XII:7
1775
-

Sonata
C
XII:8
1775
-

Sonata
G
XII:9
1775
-

Sonata
A
XII:10
1775
-

Sonata
D
XII:11
1775
-

Sonata
G
XII:12
1775
-

Soli (2)
D
XII:13-14
1770-75
lost

Sonata
F
XII:15
-
lost

Sonata
D
XII:16
-
lost

Sonata
D
XII:17
-
lost

Divertimenti (5)
-
XII:18, 20-23
1765-66
lost

Divertimenti (12)
-
XII:19
-
lost

Divertimenti (7)
-
X:1-6
1775
-

Divertimenti (2)
-
X:7, 10
-
-

Divertimento
D
X:9
1765-70
-

Trios (24)
-
XI:1-24
1765-66 <
baryton, viola and bass

Trios (24)
-
XI:25-48
1766-67  <
baryton, viola and bass

Trios (24)
-
XI:49-72
1767-68
baryton, viola and bass

Trios (24)
-
XI:73-96
1769-71 <
with violin

Trios (30)
-
XI:97-126
1772-78
nr. 97 is from 1766, 99 is lost, from 119 only the baryton-part exists

Adagio Cantabile
D
XI:D1
1804
for 2 violins

Presto Assai
D
-
1803
-

Menuet
E flat
-
1803
-

Divertimento
D
XI:D2
-
-

Terzetto (a tre)
A
XI:A1
-
-

Trio
C
XI:C3
-
-

Composition for ensemble of string or wind instruments 

S c h e d u l e:
__________
Name
Key
Hoboken nr.
Year
Specifics
___________

Divertimento a 3
E flat
IV:5
1767
French horn, violin, cello

6 Divertimenti
D, G, C, G, D, (?)
IV:6-11
1784
flute, violin(s), cello, published 1926 as 'Opus

100'
4 Trios
C, G, G, G
IV:1-4
1794
2 flutes and cello

Divertimento a 3
G
IV:G2
1762
flute, violin, cello

Arioso with variations
C
VI:C4
1768
violin and bass

Trio
D
IV:D1
-
flute, violin, bass

Cassation
D
IV:D2
-
flute, violin, bass

3 Terzetti
-
-
-
flute, viola, cello

Divertimento
F
IV:F1
-
3 flutes

Sonata
F
IV:F2
-
flute, violin, bass

3 Trios
-
IV:Es 1-2, B1
1781
for clarinetto d'amour

Ein musikalischer Scherz
G
IV:G4
-
2 violins

Divertimento
D
IV:D3
-
horn, viola, bass

4 Duets
-
VI:C1, E1, F2, D3
-
violin and viola

2 Divertimenti da camera
-
IV:G1, A1
-
flute, violin, bass

Divertimento
-
XI:C2
-
flute, violin, bass

Divertissement
C
XI:C1
-
maybe from Dittersdorf

Duet
D
VI:D1
-
violin and cello, maybe from Hoffmann

6 Sonatas
-
VI:G1, A1, B1, D2, Es1, F1
1770
2 violins, maybe from Kammel

Gioco filarmonico
D
IV:Anh.
1790
2 flutes (violins), bass, maybe from M.

Stadler
Divertimento
E flat
i,509
-
violin, viola d'amour, cello, variation of a part from a baryton-trio
 

 Spiritual Chiors

S c h e d u l e:
___________
Name
Hoboken nr.
Year
Specifics
___________

Non Nobis, Domine
XXIIIa:1
-
motet in d for choir and organ (Psalm CXIII)

Animae Deo Gratae
XXIIIa:2
1776
motet in C for 2 sopranes, tenor, choir and orchestra

Ens Aeternum
XXIIIa:3
1772
motet (hymn) in G for choir, strings and organ (Walte gnadig)

Quis stellae radius
XXIIIa:4
-
motet in C for soprane, choir, winds, timpani, strings and organ (Quae admiranda lux)

Ad aras convolate
XXIIIa:5
-
offertury in G

Salus et Gloria
XXIIIa:6
-
motet in C

Super flumina Babylonis
XXIIIa:7
1772
motet in C for alto, choir and orchestra

Ardentes Seraphini
XXIIIa:8
1765
offertory in A for 2 sopranes, strings and organ

Magna Coeli Domina
XXIIIa:C7
-
air in C for bass and instruments (motetto de beata)

Salve Regina
XXIIIb:1
1756
key E, for soprano-solo, choir, strings and organ

Salve Regina
XXIIIb:2
1771
key g, for 4 soli, strings and obligatory organ, published 1964

Ave Regina
XXIIIb:3
1763
key A, for soprano-solo, choir, violins and organ (Salve Regina)

Salve Regina
XXIIIb:4
1773
for 3/4 soli, strings and organ

Salve Regina
XXIIIb:5
1766
for soprane, alto, violins and organ

Ave Regina
XXIIIb:6
1782
key F, for choir, winds, violins and organ

Alma Redemptoris Mater
XXIIIb:E1
-
key E, choir and organ, published 1916

Te Deum
XXIIIc:1
1765
key C, for 4 soli, choir and orchestra

Te Deum
XXIIIc:2
1800
key C, for choir and orchestra
Alleluia
XXIIIc:3
1771
key G, for soprano, alto, choir, strings and organ

Lauda Sion (Responsoria De Venerabili Sacramento)
XXIIIc:4
1765-69
for 4 soli, choir, French horns,violins and organ (Quatuor Stationes pro Festo Corporis Christi)

Lauda Sion
XXIIIc:5
1750
hymn/motet in C for soprane, alto, choir and orchestra

Laudo Sion
XXIIIc:6
1787
air in F for alto, flute, strings and organ

Litaniae de Beatae Mariae Virginae
XXIIIc:C2
1776
for solo, choir and orchestra, published 1960

Ein' Magd, ein' Dienerin
XXIIId:1
1770-75
air for soprane, winds, strings

Mutter Gottes, mir Erlaube
XXIIId:2
1775
air for soprane, alto, violins and organ
Herst Nachba (Cantilena Pro Adventu)

XXIIId:3
1768-70
pastorella in D for soprano, French horns, strings and organ (Jesu redemptor omnium)

Ei wer hatt'Ihm das Ding gedenkt
XXIIId:G1
1764
pastorella in G for soprane, violins and organ

Ego Virtus Gratitudo
-
1772
pastorella in C for soprano and organ
Maria, Jungfrau rein
-
-
air (pro adventura) in G for soprane, violins and organ

6 English psalms
ii,181
1794-95
for 2 sopranos and bass, published in London 1795

Canons 

Sc h e d u l e:
_______________
Name
Hoboken nr.
Year
Specifics
_______________

Profane Choirs 

S c h e d u l e:
______________
Name
Hoboken nr.
Year
Specifics
______________

Destativo o miei fidi
XXIVa:2
1763
cantata for 2 sopranos, choir and orchestra, lost

Al tuo arrivo, felice
XXIVa:3
1764-67
cantata for soprano, choir and orchestra, first part lost

Qual dubbio ormai
XXIVa:4
1764
cantata for soprane, choir and orchestra

Dei Clementi
XXIVa:5
-
lost

The storm ('Hark! The wild uproar of the winds')
XXIVa:8
February 1792
for 4 soli or choir, 6 winds and strings

Der Sturm ('Hort! Die Winde furchtbar heulen!')
ii,194
1798
for 4 soli, choir and orchestra

Nor can I think...Thy great endeavor
XXIVa:9
1794
for bass, choir and orchestra ("Neptune to the Common-weatlth ofEngland")

Die erwahlung eines Kapellmeisters
XXIVa:11
-
-

D'onora al piede pongansi
Ia:D4
-
fragment

Applausus
XXIVa:D2
-
("Inimica mihi semper sydera") fragment
Su cantiamo, su beviano
ii,433
1791
for soprano, 3 soli and orchestra, related to opera Orlando paladino

Gott erhalte Franz den Kaiser
XXVIa:43
1797
for vioce, nine winds, timpani and strings
 

Solo cantatas and arias with orchestra 

S c h e d u l e:
___________
Name
Hoboken nr.
Year
Specifics
____________

Berenice, que fai
XXIVa:10
4-5-1795
air for soprane, scene from Antigono (Metastasio)

D'una sposa meschinella
XXIVb:2
1777
air for soprane (opera 'La Frascanata' Paisiello)

Quando la Rosa...finche d'Agnello
XXIVb:3
1779
recitative and air for soprane (opera 'L'incognita perseguitata' Anfossi)

Dice benissimo
XXIVb:5
27-7-1780
air for bass (opera 'La scuolo de gelosi' Salieri)

Mora l'infido...mi sento nel seno
XXIVb:6
-
opera 'Il convitato di pietra' Righini

Signor voi sapete
XXIVb:7
3-7-1785
air for soprane, opera 'Il matrimonio per inganna' Anfossi

Dica pura chi vuol dire
XXIVb:8
1778
air for soprane, opera 'Il geloso cimento' Anfossi

Sono alcina
XXIVb:9
18-6-1786
air for soprane, opera 'L'Isola di Alcina' Gazzagina

Ah tu non senti...qual destra omicida
XXIVb:10
4-7-1786
recitativo and air for tenor, opera 'Ifigenia in Tauride' Traetta

Un cor si tenero
XXIVb:11
April 1787
air for bass, opera 'Il disertore' Bianchi

Vada adagio, signorina
XXIVb:12
June 1787
air for soprane, opera 'La Quacquera spiritosa' Gugliemelmi

Chi vive amante
XXIVb:13
July 1787
air for soprane, opera 'Alessandro nell'Indie' Bianchi

Se tu mi sprezz
XXIVb:14
9-3-1788
air for tenor, opera of Sarti

Infelice sventurata
XXIVb:15
1789
air for soprane, opera 'I due sopposti conti', Cimarosa

Da che penso a Maritarmi
XXIVb:16
14-3-1790
air for tenor, opera 'L'amore artigiano', Gassmann

Il meglio mio carrattere
XXIVb:17
6-6-1790
air for soprane, opera 'L'impressario in angustie' Cimarosa

La moglie quando e bona
XXIVb:18
8-9-1790
air for soprane, opera 'Giannina e Bernardone' Cimarosa

La mia pace, oh dio, perdei
XXIVb:19
1790
air for soprane, opera 'L'amore artigiano' Gassmann

Sole e pensoso
XXIVb:20
1798
air for soprane on a text of Petrarca (Canzoniere, Sonnet XXXV)

Circe ossia l'isola incantata
XXXII:1
July 1789
pasticcio of Naumann, Haydn and another (unknown) composer, 3 airs are from Haydn

Pieta di me, benigni dei
XXVb:5
-
for two sopranes and a tenor

Er ist nicht mehr
XXVIb:1
1786-88
-

Pianger vidi appreso un fonte
XXIVa:F1
-
cantata for alt, published 1942

Veni tandem expectatus
XXIIId:B2
-
for soprane

Songs (vice and piano) 

Sc h e d u l e:
______________
Name
Hoboken nr.
Year
Specifics
______________ 

XII Lieder fur das Clavier 2
XXVIa:13-24
1784
-

VI original Canzonettas 1
XXVIa:25-30
1794
texts A. Hunter

VI original Canzonettas 2
XXVIa:31-36
1795
-

Der verdienstvolle Sylvius ("Ich bin der Verliebteste")
XXVI:36bis
1-2-1795

Klage ("Beim Schmerz, der dieses Herz durchwultet")
XXVI:37
1765-75
-

Der Schlaue und dienstfertige Pudel
XXVI:38
1780-87
-

Trachten will ich nicht auf Erden
XXVI:39
Dec.1790
-

Der Feldzug
XXVI:40
-
-

The Spirit's Song
XXVI:41
1800 (or 1795)
text Hunter

O Tuneful voice
XXVI:42
1795
text Hunter

Gott Erhalte (Franz) den Kaiser
XXVI:43
Okt.1796-Jan.1797
National hymn of Austria (text is changed)

Als einst mit Weibes schonheit
XXVI:44
1796-1800
-

Ein kleines Haus
XXVI:45
Aug.1800
-

Antwort auf die Frage eines Madchens ("Vergiss mein nicht")
XXVI:46
June 1803
-

Bald Wehen uns die Fruhlings Lufte
XXVI:47
-
partly lost

4 Songs
XXVIa:48a-d
-
lost

The Lady's looking-glass
XXXIc:17
1791-95
part of a lost work

Canzonetta ("Ein Tag, der allen Freude bringt")
ii,443
1773
text G.K. Pfeffel; variation of an air from Philemon und Baucis

Abschiedslied
XXVIa:F1
-
-

Hymne and die Freundschaft
XXVIa:D4
-
-

Standchen ('Liebes Madchen, hor mir zu)
XXVIa:D1
-
-

Die Teilung der Erde
XXVIa:C1
-
text Schiller (not composed by Haydn but by Roser von Reiter)

A prey to tender anguish ("Ich habe viel gelitten")
XXVIa:G1
1791
published in London

Heiss mich nicht reden
XXVIa:Es4
-
text Goethe, composed by Zumsteeg

Different works for vice and piano 

S c h e d u l e:
____________
Name
Hoboken nr.
Year
Specifics
____________

Dr. Harington's compliment ('What art expresses', 'Der Tausenden')
XXVIb:3
2/6-8-1794
for soprane and 4-voice choir; variations on a song of Dr. Harington; published 1806

Nisa e tirsi
XXVa:1-2
1796
2 duets for soprane and tenor, text: C.F. Badini (1. Guarda, Senti qui, 2. Saper vorrei)

Ramlers lyrischer blumenlese
XXVb:1-4 and c:1-9
1796
13 songs for soprane, alt, tenor and bass (nr. 1-5, 8, 10, 12 and 13) or for 3 voices with piano or basso continuo

The battle of the Nile ("Ausania Trembling", "Pindarick Ode")
XXVIb:4
Sept. 1800
cantata for a voice

6 airs with variations ("6 Admired Scotch Airs")
ii,553
1800-03
for a voice, violin, cello and piano; published 1805 in arrangement for violin (or flute) and piano

12 sentimental catches and glees
XXXIc:16
1795
for 3 voices and harp or piano, melodies of the Earl of Abington, arrangement by Haydn

La moglie quando e buona
ii,217
1790-98
air for soprane and harpsichord; variation of the aria with orchestra, Hob.XXIVb:18

A select collection of Original Scottish Airs, collected by George Thomson, part I-IV (London/Edinborough 1802-1805), part V (London/Edinborough 1818), supplement: 25 Additional Scottish Airs, Edinborough 1826

The select Melodies of Scotland, collected by Thomson, part I, II and V (Lond./Edinb. 1822), part VI (Thomson's collection(...)united to the Select Melodies of Scotland(...)Ireland and Wales (Lond./Edinb. 1824) supplement: 20 Scottish Melodies, Edinb.1839

A select collection of original Welsh Airs, collected by Thomson, part I, II and III, Lond./Edinb.1809-1817

A select collection of original Irish Airs, collected by Thomson, Lond./Edinb.1814

A collection of Scottish Airs, collected by W. Whyte, part I and II, Edinb.1804-1807

Thomson's Collection of the Songs of Burns, sir Walter Scott (...) and other eminent lyric poets (...) with symphonies and Accompaniments for the piano forte by Pleyel, Haydn, Beethoven etc. (Lond./Edinb.)

SCHEDULE|

 Name|
Hoboken nr. |
Year |
Note 1|
Note 2|
Note 3|
Note 4|
Specifics|

Remaining chamber music 

S c h e d u l e:
____________
Name
Hoboken nr.
Year
Specifics
____________

Variations on a menuet in E flat Major
II:24
1761-62
for flute, two English horns, bassoon, two French horns, violin solo, two violins, cello, violone and bass

Divertimento in G
II:2
1763
for 2 violins, 2 violas and bass

Divertimento in D ('Der verliebte Schulmeister')
II:10
1765
lost

Divertimento
II:8
1767
for 2 flutes, 2 horns, 2 violins and bass

Cassation in D
-
1763
for 4 French horns, violin, viola and bass

2 divertimenti
II:21 and 22
1763-64
for 2 French horns, 2 violins, viola and bass; nr. 1 in E flat ('Eine Abendmusik'); nr. 2 in D Major

2 divertimenti
II:i and ii
1765
for flute, oboe, 2 violins, cello and bass; nr.1 in G, around 1768; nr.2 in C Major ("Der Geburtstag")

6 scherzandi ('Sinfonias', 'Divertimenti')
II:33-38
1765
for flute, 2 oboes, 2 French horns, 2 violins and bass; nr.1 in F; nr.2 in C; nr.3 in D; nr.4 in G; nr.5 in E; nr.6 in A

6 divertimenti
II:15, 23, 7, 3, D18, -
1760/1765/1766
for 2 oboes, 2 French horns and 2 bassoons

Divertimento in F ('Feld-Parthie')
II:16
1760
for two English horns, two French horns, two violins and 2 bassoons

Divertimento in C
II:14
1761
for two clarinets and two French horns

2 divertimenti ('Notturni')
II:18 and 19
-
for flute, 2 French horns, violin, viola and bass;
nr.1 (Hob.II:18) in D, nr.2 (Hob.II:19) in G

Divertimento in E flat ('Echo','Sextett')
II:39
1767
for 4 violins and 2 basses

Sextetto in E flat
II:40
1781
for bassoon, oboe, French horn, violin, viola and bass

3 divertimenti ("Feld-Parthien")
II:41, 42 and 43
1784
for 2 French horns, 2 oboes, 2 clarinets and 2 bassoons; nr.1 in E flat, nr.2 in B flat, nr.3 in B flat

3 divertimenti ('Feld-Parthien')
II:44, 45 and 46
1784
for twoo oboes, 2 French horns, 3 bassoons and serpent; nr.1 in F, nr.2 in F, nr.3 in B flat

Kindersinfonie ("Toy Symphony", "Symphony burlesque", "Berchtolsgadener Sinfonie")
II:47
1786
for 2 French horns (ad.lib.), 2 violins (or violin and viola), bass and toy-instruments

Quartetto in D
II:D5
-
for 2 flutes and 2 horns

Divertimento in D
II:D6
1767
for flute, violin, viola and bass; maybe composed by L. Hoffmann

Quatuor in D
II:D9
1768
for flute, violin, viola and bass

Cassation in F
II:F2
-
for oboe, bassoon, 2 French horns, violin, viola and bass

Parthia in F ("Octett", "Harmonie")
II:F7
1802
for 2 oboes, 2 clarinets, 2 French horns and 2 bassoons, probably composed by Wranitzky.

Quartetto in F
II:F10
-
for 3 violins and cello, probably from Ferandini

Parthia in F
II:F12
-
for 2 oboes, 2 French horns and bassoon

Quatuor in G
II:G4
1768
for flute, violin, viola and cello

Divertimento in A
II:A1
1762
for two violins, two violas and bass

Divertissement in B flat
II:B4
-
for two oboes, violin, gamba and bass. Maybe composed by Abel or J.C. Bach

Quatro in C
-
-
for flute, violin, viola and cello

Divertimento in D
-
-
for two oboes, 2 French horns and two bassoons
 

Works for 2 "Lire organizzate" 

S c h e d u l e:
________________
Name
Hoboken nr.
Year
Specifics
_________________ 

8 Notturni
II:25-32
1788-90
for 2 lyres, 2 French horns, 2 clarinets, 2 violas and cello or bass; also exist versions for flute, oboe, 2 French horns, 2 violins, 2 violas, cello and/or bass

Menuets 

Schedule:
_____________
Name
Hoboken nr.
Year
Specifics
_____________

6 Menuets
IX:2
1766
lost

12 Menuets (with 4 trios)
IX:3
1767
orchestra-version is lost, variation for piano is saved

12 Menuets "Da Ballo" (with 12 trios)
IX:4
1766
published Amsterdam 1766

6 Menuets (with 2 trios),
IX:5
1776
first part of a bigger cycle

12 Menuets (with 4 trios)
IX:6
-
the nrs. 9-12 are identical to Hob.IX:5 1-4

Raccolta de' menuetti ballabili (14 menuets with 6 trios)
IX:7
31-1-1784
published 1970

12 Menuets (with 5 trios)
IX:8
April 1785
orchestra version lost!, variation for piano saved

6 Allemandes ('Deutsche Tanze')
IX:9
15-11-1786
published 1960
12 "Deutsche" ("Dell'opera L'arbore di Diana")
IX:9b
1787-99
lost

Menuetti di ballo (12 Menuets with 11 trios) ("Redout Menuetti" or "Katharinentanze")
IX:11
25-11-1792
published 1959

12 German Dances ("Tedeschi di ballo2)
IX:12
25-11-1792
published 1960

13 Menuets (with 4 trios)
IX:14
-
-

6 Menuets (with trios)
IX:15
-
-

24 Menuets (with trios)
IX:16
1790-1800
published 1974

17 German Dances
IX:17
-
lost

9 Menuets (with trios)
IX:18
-
lost

13 Menuets (with 4 trios)
IX:19
-
-

Menuet and trio
IX:24
-
-

Menuet
IX:25
-
-

10 Menuets and 12 German Dances
i,580
-
arrangements of parts from symphonies and stringquartets, published 1950

6 Menuets and 6 Allemandes
i,547
-
published in Berlin and Amsterdam 1787, parts are from Haydn and parts are from Vanhal

Marches 

Schedule:
__________
Name
Hoboken nr.
Year
Specifics
__________

March (in E flat)
VIII:3
1792
for the Prince of Wales, 2 versions

Hungarischer National Marsch (in E flat)
VIII:4
November 1802
-

Marcia (in E flat)
VIII:6
1793
-

March (in E flat)
VIII:7
1792
only 8 measures are saved

Marche Regimento de Marshall (in G)
-
1772
published 1960

Symphonies 

S c h e d u l e:
____________________________
HC Robbins Landon (chronologic)
Hoboken (chronologic)
Key
Hoboken nr.
Year
Name
____________________________ 

5
2
C
I:2
1759-60
-

18
3
G
I:3
1759-60
-

10
4
D
I:4
1759-60
-

13
5
A
I:5
1759-60
-

20
6
D
I:6
1761
Matin / Morning

21
7
C
I:7
1761
Midi / Afternoon

22
8
G
I:8
1761
Soir / Evening

23
9
C
I:9
1762
-

11
10
D
I:10
1759-60
-

14
11
E
I:11
1759-60
-

27
12
E
I:12
1763
-

28
13
D
I:13
1763
-

25
14
A
I:14
1761-62
-

9
15
D
I:15
1759-60
-

7
16
B flat
I:16
1759-60
-

8
17
F
I:17
1759-60 

3
18
G
I:18
1759-60
-

4
19
D
I:19
1759-60
-

19
20
C
I:20
1759-60
-

31
21
A
I:21
1764
-

32
22
E flat
I:22
1764
Philosoph / Philisopher

33
23
G
I:23
1764
-

34
24
D
I:24
1764
-

24
25
C
I:25
1762
-

46
26
d
I:26
1768-69
Lamentazione / Weihnacht / Christmas

16
27
G
I:27
1759-60
-

38
28
A
I:28
1765
-

36
29
E
I:29
1765
-

35
30
C
I:30
1765
Alleluja / Alleluia

37
31
D
I:31
1765
Hornsignal / Auf dem Anstand

12
32
C
I:32
1759-60
-

15
33
C
I:33
1759-60
-

39
34
D - d
I:34
1765
-

41
35
B flat
I:35
1-12-1767
-

26
36
E flat
I:36
1761-62
-

2
37
C
I:37
1759-60
-

43
38
C
I:38
1767-68
-

40
39
g
I:39
1766-67
-

29
40
F
I:40
1763
-

47
41
C
I:41
1770-71
-

52
42
D
I:42
1771
-

51
43
E flat
I:43
1770-71
Merkur / Mercury

-
44
e
I:44
1772
Trauer / Mourning

54
45
f sharp
I:45
1772
Abschieds / Farewell

55
46
B
I:46
1772
-

56
47
G
I:47
1772
Palindrom

48
48
C
I:48
1768-70
Maria Theresia

49
49
f
I:49
1770-71
La Passione

58
50
C
I:50
1773
In Nomine Domini

53
51
B
I:51
1771-73
-

50
52
c
I:52
1770-71
-

70
53
D
I:53
1777-79
L'Imperiale

60
54
G
I:54
1774
-

61
55
E flat
I:55
1774
Der Schulmeister / Schoolmaster

62
56
C
I:56
1774
-

63
57
D
I:57
1774
-

45
58
F
I:58
1768
-

42
59
A
I:59
1767
Feuer / Fire

64
60
C
I:60
1774
Il distratto

69
61
D
I:61
1776
-

75
62
D
I:62
1779-81
Note: Part 1 is a variation on the last part of nr.

53
71
63
C
I:63
1777-80
La Roxelane

59
64
A
I:64
1773
Tempora Mutantur

57
65
C
I:65
1772-73
-

66
66
B flat
I:66
1775-76
-

68
67
F
I:67
1775-76
-

65
68
B flat
I:68
1774-75
-

67
69
C
I:69
1775-76
Laudon / Loudon

72
70
D
I:70
1779
Mit Pauken und Trumpeten

74
71
B flat
I:71
1779-80
-

30
72
D
I:72
1763
-

77
73
D
I:73
1780-82
La Chasse, first the ouverture of the opera La fedelta premiata

76
74
E flat
I:74
1780-81
-

73
75
B flat
I:75
1779
-

78
76
E flat
I:76
1782
-

79
77
B flat
I:77
1782
-

80
78
c
I:78
1782
-

81
79
F
I:79
novembre 1784
-

82
80
d
I:80
8-11-1784
-

83
81
G
I:81
8-11-1784

89
82
C
I:82
1786
Paris Symphonies, L'Ours / Bear

86
83
g
I:83
1785
Paris Symphonies, La Poule / Hen

87
84
E flat
I:84
1786
Paris Symphonies

85
85
B flat
I:85
1785
Paris Symphonies, La Reine / Queen

88
86
-
I:86
1786
Paris Symphonies

84
87
A
I:87
1785
Paris Symphonies

90
88
A
I:88
1787
Note: attr. Mr. Tost

91
89
F
I:89
1787
Note: attr. Mr. Tost

92
90
C
I:90
1788
Note: attr. Prince Wallenstein

93
91
E flat
I:91
1788
Note: attr. Prince Wallenstein

94
92
G
I:92
1789
Oxford

97
93
D
I:93
1791
London Symphonies

98
94
G
I:94
1792
London Symphonies, Mit dem Paukenschlag /

Surprise
95
95
c
I:95
1791
London Symphonies

96
96
D
I:96
1791
London Symphonies, Miracle

100
97
C
I:97
1792
London Symphonies

99
98
B flat
I:98
1792
London Symphonies

101
99
E flat
I:99
1793
London Symphonies

102
100
G
I:100
1794
London Symphonies, Military

103
101
D
I:101
1794
London Symphonies, Clock / Uhr

104
102
B flat
I:102
1794
London Symphonies

105
103
E flat
I:103
1795
London Symphonies, Mit dem Paukenwirbel /Drumroll

106
104
D
I:104
1795
London Symphonies, London / Salomon

105
-
-
I:105
1792
Sinfonia concertante

106
-
D
I:106
1796
only 1 part, ouverture to opera Le pescatrici

18
107
-
I:107
1759-60
also in version of stringquartet, A

6
108
B flat
I:108
1759-60
also in version of stringquartet, B

Ouvertures 

S c h e d u l e:
____________
Name
Key
Hoboken nr.
Year
Specifics
_____________

Der Zerstreute
-
XXX:3
June 1774
music for a play of J.B. Bergopzoomer, used in Symph.60

Sinfonia
D
Ia:7
1777
alternative final for Symph.53

Sinfonia
g
Ia:13
1782
Ouverture of L'isola disabitata

Sinfonia
D
Ia:6
1782
Ouverture of L'incontro improvviso

Sinfonia
G
Ia:10
1782
Ouverture of La vera costanza

Sinfonia
C
Ia:a
1782
Ouverture of L'infedelta delusa

Sinfonia
C
Ia:2
1782
Ouverture of Il ritorno di Tobia

Final
D
Ia:4
1776-1786
related to Symph. 73

Musica instrumentale sopra le 7 ultime parole del nostro redentore in croce
-
XX:1A
11-2-1787
Composed for Cadiz (Spain)

Piece
C
i,206
1794-1795
for militairy chapel, variation of part 2 Symph.100

Ouverture Coventgarden
-
-
1791-1795
lost or used as ouverture for Orfeo Hob.XXVIII:13

Ouverture
D
Ia:7bis
1783
-

Ouverture
g
Ia:12
1799
based on a part of Il mondo della Luna

Ouverture Windsor Castle
-
ii,435
1795
at Salomons opera with the same name  

Concertos 

S c h e d ul e:
___________
Name
Key
Hoboken nr.
Year
Specifics
____________

2 Baryton concertos
D
XIII:1-2
1765-1770
lost

Concerto for 2 barytons
D
XIII:3
-
lost

Concerto for French horn
D
VIId:1
1761-1765
lost

Concerto for 2 French horns
E flat
VIId:2
1784
lost

Concerto for 2 French horns
E flat
-
-
Published in Amsterdam 1966. Is composed by Michael Haydn

Concerto for French horn nr. 1
D
VIId:3
1762
Published London 1959

Concerto for French horn nr. 2
D
VIId:4
1781
Published London 1954

Concerto for flute
D
VIId:D1
1771
composed by L. Hoffmann

Concerto for flute
D
VIIf:1
1761-1765
lost

Concerto for oboe
C
VIIg:C1
1800
Published in Wiesbaden 1954

Concerto for bassoon
-
i,V
-
lost

Concerto for trumpet ("Concerti per il Clarino")
E flat
VIIe:1
1796
Published London 1951

Concerto for violin
C
VIIa:1
1769 (or 1761-1765)
composed for Luigi Tomasini

Concerto for violin
D
VIIa:2
1761-1765
lost

Concerto for violin
A
VIIa:3
1771
"Melker Konzert"
Concerto for violin

G
VIIa:4
1769
-

Concerto for violin
D
VIIa:D1
1777
from C. Stamitz

Concerto for violin
G
VIIa:G1
1771
from Michael Haydn (?)

Concerto for violin
A
VIIa:A1
1771
from Giornovichi

Concerto for violin
B flat
VIIa:B1
1760
from M. Haydn

Concerto for violin
B flat
VIIa:B2
1767
from C. Cannabich

Concerto for cello
C
VIIb:1
1761-1765
-

Concerto for cello
D
VIIb:2
1783
-

Concerto for cello
C
VIIb:3
-
lost

Concerto for cello
D
VIIb:4
1772
probably composed by Costanzi

Concerto for cello
C
VIIb:5
-
forgery(?) probably composed in 1899 by Carl Popper

Concerto for cello
g
VIIb:g1
1773
lost

Divertimento
E flat
XIV:1
1766
Concerto for keyboard

Divertimento
F
XIV:2
-
Concerto for keyboard, lost, saved as a version for piano-trio (V:6) and baryton-trio

Concertino
C
XIV:3
-
Concerto for keyboard

Concert (Divertimento)
C
XIV:4
1764
Concerto for keyboard, published 1972

Divertimento
C
XIV:7
1767
Concerto for keyboard, publ. 1972

Divertimento
C
XIV:8
1768-72
Concerto for keyboard , publ. 1972

Divertimento
F
XIV:9
1767
Concerto for keyboard, publ. 1972

Divertimento (con violino)
XIV:10
1764-67
Concerto for keyboard , part of the stringinstruments is lost

Concertino
C
XIV:11
-
Concerto for keyboard, publ. 1969

Concerto (partita, concertino)
C
XIV:12
1772
Concerto for keyboard, publ. 1969

Concerto (partita, concertino)
C
XIV:12
1772
Concerto for keyboard, publ. 1969

Concert (concertino)
G
XIV:13
1767
Concerto for keyboard, publ. 1956

Divertimento
C
XIV:C1
1772 (1767)
Concerto for keyboard, first violin part is missing

Concert (quattro)
-
XIV:C3
1766
Concerto for keyboard, composed by Wagenseil

Divertimento
E flat
XIV:Es2
-
Concerto for keyboard, composed by J.A. Steffan

Quartetto concertante
F
XIV:F1
1774
for harpsichord, flute, violin (viola) and cello, published Paris 1777, composed by J.

Schmittbauer
Concertante
F
XIV:F2
1782
for piano, oboe, violin and cello. Publ. London 1785 as a work of J.C. Bach

Divertimento (Partita)
G
XIV:G1
1774
Concerto for keyboard, lost

Concerto
C
XVIII:1
1756
for organ (harpsichord) and orchestra, publ. 1953

Concerto
D
XVIII:2
1767
for harpsichord and orchestra

Concerto
F
XVIII:3
1771
for harpsichord, 2 French horns and strings, publ. 1958

Concerto
G
XVIII:4
1770
for harpsichord and orchestra, publ. 1958

Concerto
C
XVIII:5
1763
for organ (harpsichord) and strings

Double concerto
F
XVIII:6
1766
for violin, organ (harps.) and strings, publ. 1959

Concerto
F
XVIII:7
1766
for organ (harps.) and strings, publ. 1962

Concerto
G
XVIII:8
1766
for organ (harps.) and orchestra, publ. 1962

Concerto
G
XVIII:9
1767
Concerto for keyboard, publ. 1967

Concertino
C
XVIII:10
1771
for organ (harps.) and orch. publ. 1969

Concerto
D
XVIII:11
1784
for harps. (organ) and orch. publ. 1931

Concerto
F
XVIII:F1
1779-80
for harps., 2 flutes and strings. Composed by G.J.

Vogler
Concertino
F
XVIII:F2
1767
Concerto for keyboard

Concerto
F
XVIII:F3
1766
Concerto for keyboard, maybe from J.G. Lang

Concerto
G
XVIII:G1
-
for harps. and orch.

Concerto
E flat
XVIII:Es1
-
Concerto for keyboard

Concerto Duetto
G
XVIII:G2
1782
for 2 harps., 2 French horns, 2 violins and bass. Modified by J. Diettenhofer

Concertino
D
-
-
Concerto for keyboard, probably not composed by Haydn. Not published yet

Concert (Kleines Konzert)
F
-
1775
Concerto for keyboard, publ. 1962. Composed by L. Hoffmann

Stage works 

S c h e d u l e:
__________
Name
Acts
Hoboken nr.
Year
Specifics
____________

La Cantarina
2
XXVIII:2
1766
"intermezzo in musica"

Lo Speziale / Der Apotheker
3
XXVIII:3
1768
"dramma giocoso"

Le Pescatrici / Die Fischerinnen
3
XXVIII:4
1770
"dramma giocoso"

L'Infedelta Delusa / Liebe macht erfinderisch
2
XXVIII:5
1773
"burletta per musica"

L'Incontro Improvviso / Die unverhoffte Zusammenkunft
3
XXVIII:6
1775
"dramma giocoso"

Il mondo della luna
3
XXVIII:7
1777
"dramma giocoso"

La vera Costanza
3
XXVIII:8
1776-79
"dramma giocoso", a second version from 1785 is named: Der flatterhafte Liebhaber / List und Liebe etc.

L'Isola disabitata / Die wuste Insel
2
XXVIII:9
1779
"azione teatrale"

La Fedelta Premiata / Die belohnte Treue
3
XXVIII:10
1781
"dramma pastorale"

Orlando Paladino / Der Ritter Roland
3
XXVIII:11
1782
"dramma eroicomico"

Armida
3
XXVIII:12
1784
"dramma eroico"

L'Anima del filosofo, ossia orfeo ed euridice
-
XXVIII:13
-
London 1791

Der krumme Teufel
-
XXIXb:1a
1752
"Singspiel"

La Marchese Nespola
-
XXX:1
1762
"comedia"

Il Dottore
-
ii,448
1762
"comedia"

La Vedova
-
ii,448
1762
"comedia"

Il Scanarello
-
ii,448
1762
"comedia"
Philemon und Baucis oder Jupiters Reise auf die

Erde
-
XXIXb:2
1773
"Singspiel"

Der Gotterrat
-
-
-
music for one act of Philemon und Baucis

Hexenabbas
-
XXIXa:2
1773
puppet-opera

Dido
-
XXIXa:3
1778
"Singspiel" for a puppet-opera

Opera comique vom abgebrannten Haus
-
XXIXa:4
1773
-

Die Feuerbrunst
-
XXIXb:A
1775-78
"Singspiel"

Die bestrafte Rachbegierde
-
XXIXb:3
1779
"Singspiel"

Alfred, Konig der Angelsachsen
-
XXX:5
1796
-

Fatal Amour
-
XXX:4
1796
-

Der Zerstreute
-
-
-
Partly used in Symph.60

Genovefens vierter Theil
-
XXIXa:5
1777
"Singspiel"

Der Freibrief
-
XXXII:2
1789
"Singspiel"

Alessandro il Grande
3
XXXII:3
-
"Opera Seria" in 3 acts

Der Apfeldieb
-
XXXII:4
1791
"Singspiel" in 1 act

Das Ochsenmenuett
1
i,557
-
"Singspiel" in 1 act

Das Teebrett
-
-
-
-

Hamlet
-
XXX:A
-
Music for the Shakespeare-play, lost

Konig Lear
-
Ia:9
-
Music for the Shakespeare-play

Goetz von Berlichingen
-
-
1788

Music for the Goethe-play
Soliman II (Die drei Sultaninnen)
-
XXX:D
-
-
 

Oratories 

S c h e d u l e:
___________
Name
Hoboken nr.
Year
Specifics
___________

Applausus (Jubilaeum Virtutis Palatium)
XXIVa:6
1768
for 4 soli, orchestra, harpsichor-solo and organ

Il ritorno di Tobia
XXI:1
1775
for 5 soli, choir and orchestra, text: G. Boccherini
Die sieben letzten Worte unseres Erloser am

Kreuze
XX:2
1796
for 4 soli, choir and orchestra

Die Schopfung / The Creation
XXI:2
1798
for 3 or 4 soli, choir and orchestra, text: G. von Swieten (Milton)

Die Jahreszeiten
XXI:3
1801
for 3 soli, choir and orchestra, text: G. von Swieten

Masses 

S c h e d u l e:
___________
Name
Key
Hoboken nr.
Year
Specifics
____________

Missa "Sunt Bonta Mixta Malis"
d
XXII:2
1767-69
lost

Missa "Rorate coeli desuper"
G
XXII:3
-
-

Mass
G
ii,73
-
maybe composed by G. Reutter jr.

Missa in Honorem Beatae Mariae Virginiae (Grosse Orgelmesse)
E flat
XXII:4
1774
-

Missa Cellensis in Honorem BMV (Nicolaimesse)
G
XXII:6
-
nickname: 6/4 Takt Messe

Missa Brevis sancti Joannis de Deo (Kleine Orgelmesse)
B flat
XXII:7
1778
-

Missa cellensis (Mariazeller Messe)
C
XXII:8
1782
-

Missa in tempore belli (Kriegsmesse / Paukenmesse)
C
XXII:9
1796
-

Missa sancti Bernardi von Offida (Heiligmesse)
B flat
XXII:10
1796
-

Missa (Kronungsmesse / Imperial Mass / Nelsonmesse / Missa in angustiis)
d
XXII:11
1798
-

Missa (Theresienmesse)
B flat
XXII:12
1799
-

Missa (Schopfungsmesse)
B flat
XXII:13
1801
-

Missa (Harmoniemesse)
B flat
XXII:14
1802
-

Sonatas for keyboard 

S c h e d u l e:
___________
Number
Key
Hoboken nr.
Year
Specifics
___________

2
C
XVI:7
before 1766
-

3
F
XVI:9
before 1766
-

4
G
XVI:G1
before 1766
final part is identical to first part of nr.5

5
G
XVI:11
before 1766
-

6
C
XVI:10
before 1766
-

7
D
XVI:D1
before 1766
variazione

8
A
XVI:5
before 1766
maybe not composed by Haydn

9
C
XVI:4
before 1766
-

10
C
XVI:1
before 1766
-

11
B flat
XVI:2
before 1766
-

12
A
XVI:12
before 1766
-

13
G
XVI:6
before 1766
also in a version for pianotrio (XV:37)

14
C
XVI:3
before 1766
-

15
E
XVI:13
before 1766
-

16
D
XVI:14
before 1766
-

17
E flat
-
-
maybe not composed by Haydn

18
E flat
-
-
maybe not composed by Haydn

19
e
XVI:47
-
two part version of Nr.57 (XVI:47)

20
B flat
XVI: